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• csdejp ドイツ語版日本語化計画 - st_quests_red_forest.xml

  https://w.atwiki.jp/csdejp/pages/51.html

  ?xml version="1.0" encoding="windows-1251" ? string_table   string id="red_artefact_huntesr_capture_smart_name"    text Besch・ze die Stalker auf dem Weg durch die anormale Zone /text   /string   string id="red_artefact_huntesr_capture_smart_text"    text Besch・ze die Stalker auf dem Weg durch die anormale Zone. /text   /string   string id="red_artefact_huntesr_defend_smart_name"    text Verteidige die Stalker in der anormalen Zone /text   /string   string id="red_artefact_huntesr_defend_smart_text"    text Verteidige die Stalker in der anormalen Zone. /text   /string   string id="red_bridge_cover_allyes_attack_name"    text Gib den Sdnern Deckung /text   /string   string id="red_bridge_cover_allyes_attack_text"    text Die Sdner greifen Banditen auf anderen Seite des Flusses an. Gib ihnen Deckungsfeuer und hilf ihnen dabei, in Position zu gelangen. /text   /string   string id="red_bridge_cover_allyes_name"    text Schalte die Banditen aus /text   /string   string id="red_bridge_cover_allyes_text"    text Es sind zu viele Banditen - sie halten die Sdner davon ab, die Br・ke herunterzulassen. Te so viele Banditen wie mlich. /text   /string   string id="red_bridge_cover_bridge_name"    text Gib den Sdnern bei der Br・kensteuerung Deckung /text   /string   string id="red_bridge_cover_bridge_text"    text Ein Sdner hat eine Position in der n臧e der Br・kensteuerung gesichert. Gib den Sdnern Deckungsfeuer, w臧rend sie die Br・ke herunterlassen. /text   /string   string id="red_bridge_go_to_positon_name"    text Gehe in Feuerstellung /text   /string   string id="red_bridge_go_to_positon_text"    text Gehe im ersten Stock des Torhauses in Feuerstellung. Dies ist der beste Aussichtspunkt, um auf die Banditen zu schieﾟen. /text   /string   string id="red_bridge_kill_sniper_name"    text Schalte die Scharfsch・zen auf dem H・el aus /text   /string   string id="red_bridge_kill_sniper_text"    text Die Scharfsch・zen nehmen die Br・kensteuerung unter Feuer - solange sie leben, haben die Sdner keine Chance, die Br・ke herunterzulassen. Schalte die Scharfsch・zen auf dem H・el aus. /text   /string   string id="red_bridge_talk_with_comander_name"    text Rede mit Lebedew /text   /string   string id="red_bridge_talk_with_comander_text"    text Die Br・ke wurde heruntergelassen und die Straﾟe nach Limansk ist frei. Rede mit Lebedew. /text   /string   string id="red_bridge_wait_for_allyes_name"    text Warte, bist die Einheit der Stalker eintrifft /text   /string   string id="red_bridge_wait_for_allyes_text"    text Warte, bist die Einheit der Stalker eintrifft. /text   /string   string id="red_bring_compass_name"    text Bringe dem Fster den Kompass /text   /string   string id="red_bring_compass_text"    text Dank des Kompasses ist es dem Fster vor ein paar Tagen gelungen, aus einer Raumblase zu entkommen. Das Artefakt d・fte den Sdnern dabei helfen, aus ihrer Blase zu gelangen. Bringe dem Fster den Kompass. /text   /string   string id="red_find_compass_name"    text Finde das Kompass-Artefakt /text   /string   string id="red_find_compass_text"    text Der Fster hat in einer Raumanomalie ein einzigartiges Artefakt entdeckt. Die Anomalie 臧nelte sehr der Blase, in der die Sdner in der N臧e der Milit舐lager stecken. Auf dem R・kweg wurde der Fster von Banditen ausgeraubt und das Artefakt wurde gestohlen. Finde den Kompass. /text   /string   string id="red_find_forester_name"    text Rede mit dem Fster /text   /string   string id="red_find_forester_text"    text Der Fster lebt in einer verlassenen H・te. Er kann dir helfen, einen Weg nach Limansk zu finden. Rede mit dem Fster. /text   /string   string id="red_find_teleport_name"    text Finde die Raumanomalie /text   /string   string id="red_find_teleport_text"    text Das PDA der vermissten Gruppe enthielt einige Hinweise zu einem Pfad durch den Roten Wald. Darin befindet sich eine Raumanomalie, die zu der alten H・te am Waldrand f・rt. Dort lebt der Fster. Finde die Raumanomalie. /text   /string   string id="red_forest_stalker_bring_map_name"    text ﾜberbringe den PDA mit der Karte des Roten Waldes /text   /string   string id="red_forest_stalker_bring_map_text"    text ﾜberbringe den PDA mit der Karte des Roten Waldes. /text   /string   string id="red_go_to_signal_sos_name"    text Antworte auf das SOS-Signal /text   /string   string id="red_go_to_signal_sos_text"    text Der Pfad zum Fster durch den Roten Wald ist unbekannt. Es gibt ein Notrufsignal aus dem Roten Wald. Antworte auf das Signal. /text   /string   string id="red_help_with_bridge_name"    text Hilf Clear Sky dabei, die Br・ke einzunehmen /text   /string   string id="red_help_with_bridge_text"    text Eine Sdnereinheit n臧ert sich der Br・ke nach Limansk. Sie erscheinen auf der Seite des Flusses, auf der sich die Banditen aufhalten. Es wird also an der Br・ke in K・ze ziemlich hoch hergehen. Hilf Clear Sky dabei, die Br・ke nach Limansk herunterzulassen. /text   /string   string id="red_pursuit_destroy_ambush_name"    text Schlage den Hinterhalt zur・k /text   /string   string id="red_pursuit_destroy_ambush_text"    text Strelok wird von einer Gruppe Stalker gedeckt. Schlage den Hinterhalt zur・k. /text   /string   string id="red_pursuit_strelok_name"    text Halte Strelok auf /text   /string   string id="red_pursuit_strelok_text"    text Strelok ist im Tunnel verschwunden. Folge ihm und vergewissere dich, dass er nicht ins Zentrum der Zone vordringt. /text   /string   string id="red_pursuit_talk_csky_name"    text Halte Strelok auf /text   /string   string id="red_pursuit_talk_csky_text"    text Strelok ist ganz in der N臧e, etwa 100 Meter entfernt. Schnapp ihn dir. /text   /string   string id="red_stalker_reinforced_name"    text Nimm die alte Mine ein /text   /string   string id="red_stalker_reinforced_text"    text Nimm die alte Mine ein. Hier herrscht hohe anormale Aktivit舩 und es gibt hier eine Menge seltener Artefakte. /text   /string   string id="red_go_to_military_base_name"    text Gehe zur Milit舐basis /text   /string   string id="red_go_to_military_base_text"    text Die Milit舐basis hat einen leistungsf臧igen Sender, mit dem wir ein Signal an die Gruppe senden knen, die bei Limansk in einer Raumblase eingeschlossen ist. Gehe zur Milit舐basis. /text   /string   string id="red_find_enter_to_anomal_place_name"    text Finde einen Weg in die anormale Zone /text   /string   string id="red_find_enter_to_anomal_place_text"    text Der PDA der vermissten Gruppe enthielt einige Hinweise zu einem Pfad durch den Roten Wald. Darin befindet sich eine Raumanomalie, die zu der alten H・te am Rande des Waldes f・rt. Dort lebt der Fster. Finde die Raumanomalie. /text   /string   string id="red_find_signals_on_military_name"    text Empfange die Funknachricht /text   /string   string id="red_find_signals_on_military_text"    text Der Fster empf舅gt unverst舅dliche Funkfetzen einer unbekannten Gruppe, die in der N臧e von Limansk in einer seltsamen Anomalie gefangen ist. Die Gruppe knte einen alternativen Weg nach Limansk kennen. Gehe zu den Milit舐lagern und finde einen geeigneten Ort f・ einen besseren Empfang. /text   /string   string id="red_take_red_forest_map_pda_name"    text Nimm den PDA /text   /string   string id="red_take_red_forest_map_pda_text"    text Der PDA eines toten Stalkers ist immer noch aktiv. Er knte wertvolle Informationen ・er den Roten Wald enthalten. Nimm den PDA. /text   /string   string id="red_recover_item_1_name"    text Besorgen den PDA mit einer Karte des Roten Waldes /text   /string   string id="red_recover_item_1_text"    text Hey, Sdner, wir knten deine Hilfe gebrauchen. Wir brauchen eine genaue Karte des Roten Waldes. Ich habe mitbekommen, dass schon mehrere Gruppen von Stalkern ihr Gl・k im Roten Wald versucht h舩ten, aber die meisten von ihnen seien verschwunden. Finde ihre Aufzeichnungen und bringe sie zu mir. /text   /string   string id="red_recover_item_2_name"    text Besorge das Panzermaschinengewehr /text   /string   string id="red_recover_item_2_text"    text Ich h舩te eine Auftrag f・ dich Der Fster hat mir verraten, dass sich tief im Wald ein alter sowjetischer Panzer befindet. Niemand hat eine Ahnung, wie er dahin gelangen konnte, aber es heiﾟt, dass das Ding nach einer starken Emission aufgetaucht w舐e. Das Tolle ist Der Panzer ist noch intakt. Man kann ihn wohl nicht fahren, aber das Maschinengewehr, das noch vorhanden ist, kann man sicher abmontieren. Wenn du mir das MG bringst, werde ich dich gut daf・ bezahlen. /text   /string   string id="red_recover_item_3_name"    text Bringe das experimentelle Ger舩 zur・k /text   /string   string id="red_recover_item_3_text"    text Es gibt da etwas, was du f・ mich tun kannst. Wir haben mal einen Prototypen f・ die Wissenschaftler getestet - ein kleines Ger舩 zum Messen der St舐ke von Anomalien. Das Ding ist heute nicht mehr wirklich von Nutzen... sie haben ganze zwei Tage alleine daf・ gebraucht, uns zu zeigen, wie man damit umgeht. Auf jeden Fall waren wir in der alten Mine und haben Daten gesammelt, als etwas passierte... irgendetwas griff uns an... alle mlichen Dinge flogen auf einmal auf uns zu. Leider habe ich den Vorfall als Einziger ・erlebt. Das Ger舩 blieb dort unten zur・k, bei den anderen Jungs. Das... Ding, das uns angegriffen hat, d・fte ebenfalls noch dort sein, deswegen wird es nicht einfach werden, das Ger舩 in die H舅de zu bekommen. Aber wenn du es dennoch schaffen solltest, werde ich dich gut daf・ bezahlen. /text   /string /string_table

• elvis @Wiki - Subjects-Engineering-Civil-Environmental-General 89

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  Solid Wastes Management Ballinger Pub. Co?　Kenneth C Clayton?　John M Huie?　 BallingerPub.Co?　KennethCClayton?　JohnMHuie?　Subjects-Business&Investing-Management&Leadership?　Subjects-Engineering-Civil-Environmental-General　Subjects-Engineering-Civil-Environmental-SolidWasteManagement?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-General　 Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Clearing the Air Federal Policy on Automotive Emissions Control Ballinger Pub Co?　Henry D. Jacoby?　John Steinbruner?　 BallingerPubCo?　HenryD.Jacoby?　JohnSteinbruner?　Substores-UnknownASINs-28?　Subjects-Engineering-Civil-Environmental-General　Subjects-Medicine-InternalMedicine-InfectiousDisease?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-General　Subjects-Science-Medicine-InternalMedicine-InfectiousDisease? 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• オペラ対訳プロジェクト - Strauss,Richard/Arabella/III

  https://w.atwiki.jp/oper/pages/2823.html

  第３幕 序奏 （ホテルの中。部屋につながる階段のある公共空間。階段は２度カーブしながら上階につながっている。階下には、新聞を置いた机、揺り椅子、肘掛椅子がいくつか置かれている。舞台右側前方には警備員室があり、通りへの出口がある。 夜。制服を着たマッテオが、２階の階段の手すりにもたれているのが見える。彼は階下を見ている。玄関扉の鈴が鳴ると、マッテオは姿を消す。部屋係がポーターの控室から出て来て、鍵を開ける。舞踏会から帰ってきたアラベラが入ってくる。部屋係はまたいなくなる。アラベラはゆっくりと階段の方に進む。彼女は顔に微笑を浮かべながら、うつつに夢を見るように、舞台前方の揺り椅子に座り、静かに揺する。物思いにふけりながら声に出して独り言を言う） ARABELLA （物思いにふけりながら声に出して独り言を言う） 馬車は走るわ。あの方の野原を横切って・・・ 木が高くて静かな森を越えて・・・ そう、あの方によくお似合い。 木が高くて静かな森。 すると騎兵たちが、あの方を出迎えに来るの。 あの方は言うわ。「我が家の女あるじだ」 続けて言うわ。「私が連れて来たのだ」 「皇帝のまします首都からな。だが、もはや首都にお戻りになることはない。ずっと私とともに、この森で暮らし続けるのだ」 MATTEO （また上に姿を現し、手すり越しに身をかがめる。階下で座っている女性を見ると、それがアラベラなので信じられず、思わずささやく） アラベラじゃないか！有り得ない！考えられないことだ！ （アラベラは、幸せな夢想からパッと覚める。後ろにいるマッテオには気がつかないが、何となく一人じゃないのを感じる。マッテオは静かに階下に下り、アラベラに一礼する） ARABELLA （びっくりするが取り乱すことなく、素早く立ちあがり） あなたがここに？ （アラベラはパッと立ち上がる） こんな遅くに？ ここに住まっておられるとでも？ MATTEO （二人の関係をほのめかすかのように） あなたがここに？ それはぼくのセリフさ、アラベラ！ （一歩進み出て） こんな遅くに、また外出したのかい？ ARABELLA 私は舞踏会から帰ってきて、部屋に行くところよ。 おやすみなさい。 （会釈して、マッテオの脇をすり抜けて部屋に上がっていこうとする） MATTEO （限りなく皮肉を込めて） 舞踏会帰りとはねえ！ 部屋に行くところ！ （半ば独り言で） 乙女心の神秘･･･何ともきわめがたい！ ARABELLA そうよ。おやすみよ。 何がそんなに面白いのよ？ MATTEO おいおい、アラベラ！ （意味ありげに恋の微笑を浮かべている） ARABELLA 何かまだおっしゃりたいことがあるのなら、 お願いですから昼間にして！今ここでは、いや！ MATTEO 何か・・・まだ？ぼくが・・・まだ・・・何か？ ああ、可愛いアラベラ！ぼくは今日のことを 死ぬまで感謝し続けるつもりだよ！ ARABELLA 感謝する・・・何をよ？もう全て終わってしまったというのに。 MATTEO 感謝？何を？・・・ ぼくにはわからない芸当だよ！ ぞっとするほどの名人芸だな。 ARABELLA どういうことよ？ MATTEO 何とまあ、熟練の上演だろう。 喜劇のための喜劇。 観客なしの喜劇上演！ もうたくさんだ！魔女の魔法と変わらないよ！ ARABELLA 何一つ言っていることがわからないわ。 ですから、おやすみなさい。 MATTEO （マッテオは道をふさぐ） ならいいよ！ だが、もう一度、もう一度だけ、目を見せてくれないか？ 君の心はあの時と同じだという目を！ ARABELLA あの時と同じ？ MATTEO （燃え上がるように） あの時と同じ？あの時と同じ？ １５分前と同じ目さ！ ARABELLA （全く悪びれずに） １５分前に、 私はここにはいなかったわ！ MATTEO （幸せな思い出に浸る表情で） １５分前だよ！いたくせに！上に！ （燃えるような目でアラベラを見つめる） ARABELLA （まるで事情が分からぬまま、上のほうを見る） 何をおっしゃっているのか分からない。 もうここにはいたくないわ。 MATTEO （激しく） あんまりだ！ あんな時を過ごした後に、 こんなにも神経を冷たくもてあそばれては、 誰も耐えられない！ 君が偽りを言えないようにするためには、 君の体を流れている血に訴えるしかないのかい！ （アラベラの腕をつかむ） ARABELLA あなた、正気じゃないわ！ マッテオ！そこを通してよ。 でないと、人を呼ぶわよ！ MATTEO あなたは、一人の男を狂わせてしまった。 この世のほかの誰でもない。あなたがです！ 最後に一度でいいから、あなたの眼差しで、 あの部屋でぼく達の間に 起こった出来事を確信させてください。 それ以上のことを何も望んではいないのです！ （部屋係が静かにポーターの控室から出て来て、玄関の鍵を開けに行く） ARABELLA 人が来たわ。行かせてちょうだい！ MATTEO ぼくは君に誓った。君は、これからは、ぼくから自由だと。 君の涙に、ささやくようなキスに、ぼくは誓った・・・ 明日からは自由だと！誓いは守るよ！ だけど暗闇の中で、君の目は見えなかった・・・ 一目だけでもぼくを見てくれ。 その眼差しが全てを封印したときこそ、 君は永遠に自由の身になるんだ！ （アデライーデが登場する。その後ろにはマンドリカが現れるが、すぐに立ち止まる。ヴァルトナーも登場し、最後に３人のギャンブル仲間が現れ、その後ろからはヴェルコとデューラも現れる。） ADELAIDE まあ、階段部屋で密会なんて！ だから、戻ってこなかったってわけ？ ねえ、あなた、どういうこと？ ARABELLA 何でもないわ、ママ。何でもないの。 MANDRYKA （マッテオをじっと見つめる） そう。鍵を持っていった奴はこいつだ。 ARABELLA （マンドリカに一歩歩み寄って、まるで屈託のない様子で） 今日はもうお会いすることはないと思っていましたわ。 マンドリカさん！ MANDRYKA （むっつりしたままアラベラに） まことに。伯爵令嬢、おいとましてよろしいでしょうか！ （来た方向を逆戻りしていく） ヴェルコ！ WELKO （マンドリカの近くに来て） 大侯様、やはりあの男ですか？ MANDRYKA お前もわかったろ。一番列車で家に帰ろう。 ARABELLA （マンドリカに歩み寄って） あなたが気にすべきことなど、何もありません。マンドリカ。 帰宅したら、この方に出くわしたのです。 私たちの古くからのお友達ですの。 お望みなら、後で詳しいことをお話しいたしますわ。 MANDRYKA 本当に、おいとまさせていただきたいのです！ （去ろうという表情を見せる　アラベラは、驚いて首を横に振る） ADELAIDE ああ、ウィーン！ この中傷と陰謀に満ちた街！ （マッテオに） この疫病神め！ WALDNER （マンドリカを引きとめながら） もう少し、ここにいてくださいよ！ どうやら、何か誤解があるようですからな！ （アラベラに） 娘よ、お前に質問だ！どこから帰ってきた？ お前は、舞踏会からの帰り道を少尉殿に送ってもらったのか？ お前も同意したのか？ ARABELLA パパ！あたしの顔をよく見て！ 一人頭が変になったからといって、みんながいっぺんにおかしくなることないじゃない？ WALDNER 何も言うべきことはないのだな？ ARABELLA 絶対にありません。 昨夜からパパが知っていること以外には。 それとも何かご存知のことがあるの？ WALDNER とても気が軽くなったよ。 （アラベラの額にキスして、マンドリカに） 見ての通りです！ 何もなかったのです！ 全く何も！ こんな騒ぎはもう忘れましょう。 そして「おやすみ」としましょう！ （ギャンブル仲間たちに） 向こうの部屋に行こう。 続きのゲームといこう。 MANDRYKA （アラベラに歩み寄って、彼女にのみ話しかける） 金と善意の許す限り、私は、 この醜い喜劇を隠し通すつもりです。 それというのも、お嬢さん、私はあなたが仕組んだ役回りには、まるで向いていないからです。 ADELAIDE ああ、三重に不幸な出会いだわ！ MANDRYKA （背を向けると、独り言で） ばかな、ばかな、なぜ、こんなことが！ ばかな、なぜこんなことが！ WALDNER お願いですから、 下手なアリアはやめてください！ ARABELLA （マンドリカ一人に向けて） 聞いて、マンドリカ。 天の神様に誓って、 あなたの赦しが必要なことは、私、何もしていないわ！ むしろ私よ！もし、それが可能なら、あなたが、そんな言い方で私に言った言葉を許してあげねばならないのは！ MANDRYKA （怒りに燃えてマッテオを見つめる） 私にも同じ言葉を言わせてください。 目が見えなければ良かったんでしょうが、 あいにく目がいいのです。 耳が聴こえなければ良かったんでしょうが、 あいにく耳がいいのです。 頭が弱ければ良かったんでしょうが・・・ そしたら、あるいは、 （マンドリカはマッテオを指差し） あそこにいた男に気付くこともなく、夜にどんなゲームが行われているかもわからなかったかも知れません！ MATTEO （マンドリカの表情と眼差しにこめられた侮辱に傷ついて） あなたが何か権利をお持ちだというのなら、 例えその権利が最近生じたものだとしても、 私は受けて立つつもりです！ ARABELLA （両者の間に立ちながら） そうよ。この方はその権利を持っているわ。 私の婚約者なんですもの！ 一方あなたには、わずかな権利もないわ。 かけらほどの権利も！ さあ、ご自分の口でおっしゃって！ MATTEO （苦悩に満ち、ためらいながら） いいえ。何も・・・ ARABELLA （マンドリカに） お聴きの通りよ。 MANDRYKA 本人に語らせるんだ！ 口から出かかっていた言葉がある・・・ 「いいえ。何も・・・ただし」そう言おうとして、 すぐに飲み込んだじゃないか。 私は、ちょうど唇から出かかっているのを見たんだ。 ARABELLA マッテオ。あなたがそんな卑しい人と思ったことはないわ！ 私に何をしようというの・・・！ あなたは強情のあまり、私を世間の恥さらしにしようとしているのよ！ 私の結婚を台無しにするつもり？ ADELAIDE 呪わしい陰謀家め！ 娘を盗み取ろうとするなんて！ MANDRYKA （一歩マッテオに近づいて） 「ただし！」 さあ、秘めた真実をお話しなさい！ MATTEO （きっぱりと） 何も！何も話すことはありません！ MANDRYKA （アラベラに） この人はこう言おうとしたのです・・・ 「ただし、この夜私が得た権利により」と！ 聞いてみなさい。あなた一人にならば、 その一言を言うかもしれませんよ！ ARABELLA （マッテオに） この人の前で、何か言うことはある？ MATTEO （うつむいて） 何も。 MANDRYKA （マッテオに） おめでとうございます。少尉殿。 こんなに美しくて口の堅い少女を得て、 まことに幸せですな。 お二人とも全くご立派な方々ですよ。 ARABELLA 聞いた？パパ！ WALDNER マンドリカ！きちんと説明してもらおうじゃないか！ （アデライーデに） わしのピストルはどこだ？何っ？売り払った？ こんちくしょう！ ならば、新しいのを仕入れてこよう。 ARABELLA （その場に立ち止まったまま、苦悩に満ちた表情をしている） もうどうにでもなるがいい！ 生きていたって何の意味も無いわ！ この世に何かいいことがあるというの？ この人がこんなに弱くて、 私を信じる力を持っていないのなら・・・ つまらないことで、私を捨ててしまうのなら！ DIE GÄSTE＜ホテルの客たち （階段の上でぶつぶつ言いあう） 何なんだ？知り合いどうしか？ 誰が誰をつかまえたんだ？ 何なんだ？女が出て行こうとしているぞ？ あの少尉と一緒にか？ ADELAIDE （大きな身振りでヴァルトナーに向かって） だめよ。この若者をあなたのピストルの前に 引き出す価値などないわ！テオドール！ 結婚を断れた男の卑劣な悪だくみよ。 それ以上のことではないわ！ DIE GÄSTE＜ホテルの客たち （階段の上でぶつぶつ言いあう） 誰が誰をつかまえたんだ？何なんだ？ 女が出て行こうとしているぞ？ あの少尉と一緒にか？何なんだ？ 知り合いどうしか？ WALDNER あの男のことなど言ってないぞ。 マンドリカだ・・・ わしへの名誉毀損を償う義務がある。 MATTEO 悪いのは私一人です。 全ての言葉を撤回します。そして全ての眼差しを！ みなさん、誤解しています。 あなたが聞けるだろうと思っていたことを、 私は思い浮かべたこともありません。 誰か罰を受けるべき者がいるなら、 それは私です！ WALDNER （鋭い口調で） 足をつっこむと同時に、その足を洗う・・・ 私の若い頃は、 将校はそんなことをしませんでしたぞ！ MANDRYKA （アラベラ一人に向けて） この若者は、考えられる限り最高に勇敢に振舞っている。 あなたも、そろそろ少し考えてあげたほうが いいのではないですか。 本当のことを言ってください！私一人に！ あなたの愛人なのですね！私は何でもしましょう・・・ 私のことを信用してもらえますか、アラベラ！ ARABELLA （しっかりとマンドリカを見つめて） マンドリカ！私の魂と心の平和に誓って、 本当のことを言っているわ！ MANDRYKA 心にそんな誓いを立ててはいけません！ あなたのことで、こんなにも苦しんでいるのに！ （独り言で） ああ、神よ！この女性のせいで、 なぜこんな恥ずかしい思いをさせるのですか！ （もう一度アラベラに、小声で） 私は少年を見たのです。 あなたの部屋の鍵をこの男に渡した 少年の姿を見たのです。 ARABELLA どんな少年ですか？ MANDRYKA あなたが使いに出した従者の少年ですよ！ ARABELLA ズデンコのこと？何てこと？ 他に誰が？ MANDRYKA ああ！打ち明けてほしいのです！ 私にだけは！ ARABELLA （独り言で） 地獄が私に向かって口を開けているようだわ！ MANDRYKA 私の人生を台無しにした男を、 あなたの愛人として赦さねばならぬのですか？お答えを！ ARABELLA 真実を私は話します。マンドリカ。 真実だけが私の味方です。 その他全てのことは、私の味方をしてくれないからこそ、 よけい真実を語るのです。 MANDRYKA これが最後です！ あなたは結婚するおつもりなのですか？ 私たちの婚約の１０分後に 逢引したその男と！ ARABELLA （話し言葉で） 質問に答える必要はございません、 マンドリカさん。 （マンドリカから離れる） MANDRYKA （怒りに燃えて） よろしい。 ヴェルコよ。武器商店の門を破って、いくら金がかかっても かまわんから、サーベルを手に入れてこい！ 重たいサーベルを２振り！良く砥いであるサーベルだ！ すぐ持ってくるんだ！医者も１人叩き起こせ！ それ以外は何もいらん。 そこに庭があるのだから。 （半分マッテオのほうに向きなおって） 立会人なしで、 決着させましょう。 （シガレットケースを取り出して、考え事をしながら、マッテオにも一つ差し出すが、マッテオは断る） みなさんは、その時まで、 私たちを二人にさせていただけませんかな。 （タバコを吸う。漠然とした予感の中で） ZDENKA （上のほうから声だけで） パパ！ママ！ （ネグリジェを着て、髪を解きほどいた少女のままの姿で、階段を駆け下りてくると、父親の膝の上に身を投げる） パパ！ ADELAIDE （ズデンカの姿を自分のショールで隠しながら） ズデンカ！何て格好よ！ 何て恥ずかしいことを！ ARABELLA 何が起こったのよ！ズデンカ！ 言って。私はあなたの味方よ。 ZDENKA 早くみんなにさよならを告げたいだけ。 行かなけりゃいけないわ。 朝になるまでに、ドナウ河に身投げしなけりゃ。 WALDNER どういうことだ？ DIE GÄSTE （小声でもごもごと） あの可愛らしい女の子は誰だろう？ MANDRYKA （独り言で） あの顔、今日どこかで見た覚えがあるぞ！ ZDENKA お願いだから許して… 行かせてください！ とても恥ずかしいの…死にそうなほど… だから行かせてください！ 夜が明ける前には、横たわっていたいの…土の中深くに… そうすれば、みんな許してくれるわよね。パパでさえも！ ARABELLA （ズデンカを抱きしめて、自分の方へ引き寄せ） 私のそばにいて。 あなたに何が起きたとしても、 みんながあなたを嫌いになることは 決してないわ！ ZDENKA （マッテオを指差して） あの人は無実よ。何も知らなかったんだもの。 私一人だけが・・・ ADELAIDE ああ、お黙り。恥ずかしい子だわ！ 死んでも黙っていなさい！ WALDNER （アデライーデに） お前こそ黙っていろ。この子に話させろ。 今こそ、お前たちの仮面舞踏会の報いを受ける時が来たのだ。 ZDENKA （アラベラに） お姉さんにだけ話すわ。お姉さん、あなた一人にだけ！ ARABELLA 私はあなたの味方よ。見捨てたりはしない。 あなたの味方よ！ ZDENKA （アラベラに体をぴったり寄せて） あの人は、あなただと信じ込んだのよ！ あの人が心配なあまり、私そうしてしまったの。 ベッラ、わかってくれるかしら！ あの人はまだ知らないのよ。私だったってことを！ （不安にみちて） マッテオ！ MATTEO ぼくを呼ぶ可愛らしいこの声は、誰の声なんだ？ ZDENKA （恥ずかしそうに） あなたを騙した女の子の声よ！マッテオ！ あなたのただ一人の友だった ズデンコがあなたの前に立っているの！ 私は女。 ああ・・・昔から女でしかなかったのよ！ MATTEO ああ、ぼくの友！女友達！ 可愛らしい天使よ！ ZDENKA 許しを乞わねばならない。あなたにも、お姉さんにも、 お二人に・・・ああ、神様！ （顔を手でおおう） ARABELLA こんなにも愛にあふれた人が許しを乞うのですもの。 私こそ、この方に許しを乞わねばならないわ！ （ズデンコを体に引き寄せてキスをする） MATTEO 部屋は真っ暗で、 君の声は聴こえなかった・・・ だけど、まるで予感していたみたいなんだ。初めから、こうなることを・・・可愛いズデンコ！ （ズデンカは優しい眼差しでマッテオを見つめながら、なおもアラベラの腕の中にいる） MANDRYKA （独り言で） あの子は、あの時の従者じゃないか！ 穴があったら入りたい！ あの人が許してくれるはずがあろうか！ 私自身、自分を許せないというのに！ （ヴェルコは２振りの騎士用サーベルを手に持って入ってくる。それに続き、箱に入った２丁のピストルを持ったデューラ。更にその後に医者が入ってくる。マンドリカは彼らの姿を見ると、来ないよう合図する） WALDNER （マンドリカと同じように彼らが来るのを見ていたが、賭博師として冷徹に覚悟を決めて） 大変けっこう。これで、差し向いの決闘ができますな。 ことは父親の名誉の問題ですから。 DIE DREI SPIELER おお！おお！ MANDRYKA （ヴァルトナーのことは気にせず、ただアラベラに向かって） あなたの前に立てたものでしょうか！アラベラ！ わかっています・・・あなたの眼差しを受ける 人間には生涯、値しないということは！ 両手のこぶしを振り上げただけの、ただの間抜けです。 最高の幸せをこの手につかもうとしている、 と思ったのに！ 今はそれにふさわしくない男です・・・ まるで手のひらを返したように一瞬にして。 そして後に残ったのは、 最後の瞬間に至るまでの、悔いと恥だけです。 ARABELLA ズデンカ。あなたのほうが私よりも素敵な女性だわ。あなたは、あたしよりも、愛に満ちた心を持っている。あなたにとって、心に命じられるまま行うことよりも価値のあることは、この世界にないのね。ありがとう。あなたは、とても大事なことを教えてくれた。何も望んだり、欲しがったりしちゃいけない。比較したり、値踏みしたり、物惜しみしたりしてはいけない。常に、与え、愛さねばならないんだわ！ （だが、そう言いつつも彼女は、マンドリカが心から待ち望んでいる全てを和解させる眼差しを与えない） ZDENKA なんて優しい言葉をかけてくださるの！ 怒らないなんて！ お姉さんは言葉にできないくらいいい方よ。 私が誰よりも良く知っているの。 お姉さんのためなら、あたし何でもするわ・・・ 本当は、静かに去ってしまって、 誰も傷つけたくなかったの！ でも、わかってくださるのね。 何が起ころうと、私のことを見捨てたりはしないのね！ MANDRYKA （きわめておどおどと、独り言で） 何が起ころうと、か・・・。 ADELAIDE 神様！何て恥ずかしいことだらけ！ ああ、こんな夜なければ良かったのに！ あの占い師は、こんなこと予言しなかったのに！ WALDNER （しっかりした口調で） 次に何が起こるかは、はっきりしているぞ！ （ピストルのほうを見ながら決然とした足取りで進む） ARABELLA （ズデンカに） 何が起ころうとも、私はあなたの味方！ MANDRYKA （心を押し潰されたように、アラベラを見ながら） 何が起ころうとも・・・ ZDENKA （不安に満ちて） パパ！ MATTEO 君は天から降りて来た天使！ この世に汚されることなどあるものか！ MANDRYKA （ますます重苦しい心で） 何が起ころうとも・・・ （去って行こうとする） ARABELLA （ズデンカの肩越しに、ささやくような声で） マンドリカ！ （ズデンカを越えて、手を突き出す） MANDRYKA （手に顔をうずめる） 私には、お許しいただく価値はありません！ ARABELLA 何も言わないで。マンドリカ！ 話すことはもうないわ。 何があったかなんて 忘れてしまいました！ 私たちのせいではなかったのよ。 これから始まることにこそ、 思いを注ぎましょうよ。 MANDRYKA これから始まることにこそ？ （マンドリカは素早く、きっぱりとマッテオの手をつかむと、ヴァルトナーのほうへと連れて行く） 仲人が参上いたしました！ 私は、この紳士とともに、閣下… あなたの前に進み出るのです。この頭を下げ、このお人の友人として、あなた様にお願いするのです。このお人が若き御令嬢のお手を握るのを拒みませぬようにと。 （ヴァルトナーは拒絶するような仕草をする） 巨きな愛が、このお人に力を与えたのです。拒絶してはなりません！ ZDENKA （弱々しく） マッテオ！ああ、パパ！やはりそれしかないのね？ 出て行かなけりゃいけないのね？ ARABELLA あなたにふさわしい幸せが、きっと手に入るはずよ！ WALDNER （心を動かされ、ズデンカにキスする） そんなに泣くんじゃない。おチビさん。 握手しようじゃないか、ねえ、少尉殿。 （マッテオに手を差し出す） ADELAIDE ああ、テオドール。なんという展開なの！ WALDNER 素晴らしいじゃないか！ ADELAIDE （涙を流しながら） ああ、テオドール！ WALDNER （アデライーデをしばし抱きしめると、すぐギャンブル仲間のほうに向き直り） さあ、体があいた！みんな行くぞ！ （急いで半屋外の庭に飛び出していく。仲間たちもそれに続く） DIE GÄSTE （ぶつぶつぼやく） 寝るとするか。もう何も起こらないよ。 （見えなくなる） ARABELLA （ズデンカを気にかけながら） 上に上がってよ、ママ。 （マンドリカはアラベラのほうに一歩近寄る。アデライーデとズデンカは階段を上って２階に行く） 話すことはもうないわ。陽差しが射し込む時までね！ そう言わなかった？ ZDENKA （やさしい声で） マッテオ！ ARABELLA （ズデンカに） お行きなさい。あの方は、明朝また来るわ。 そしたら、もうずっとあなたのものよ。 （マッテオは姿を消す。マンドリカは不安と緊張のうちに立っている） ARABELLA （マンドリカに向かって、極めて素っ気なく） あなたの従者さんに、中庭の井戸で、きれいなお水を汲んでもらい、私の部屋まで届けてもらってよろしいでしょうか？ （ヴェルコは駆け足で退場） そしたら、きっと気分が良くなると思うの！ （階段を登って行ってしまう。マンドリカは、アラベラが上にたどり着くまでずっと見守っている。誰かが灯りを消してしまったらしく、部屋は前よりひどく暗くなっている） MANDRYKA 目を向けてもくれなかったし、おやすみの挨拶もなかった。 私をほうったまま行ってしまった。 だが私自身が蒔いた種じゃないか？ 一体もっと私にふさわしいことがあるのか？ 何もない。 私のような男には、ムチ打ちの刑こそ、お似合いだ・・・ だが、せめて一目なりとも目を向けてくれていたら・・・ ああ、ほんの目くばせでも良かったのに！ （水のグラスを載せたトレーを持ってヴェルコが現れ、物問いたげにマンドリカを見つめる） さあ、上に持って行くんだ！ （ヴェルコは階段を登って行く） あの人は、これだけしか言わなかった・・・ 水を飲みたい、と。 私を目にしていたくない、と。 私を嘲ろうとして、そう言ったのだろうか？ そうかも知れない・・・。 だが、笑われるだけですめば、 むしろ情けとは言えないだろうか。 神もご存知の通り、身に余る情けだ！ マンドリカがもう椅子を離れようとしていたところで、アラベラが階上に現れる。彼女はグラスを持ったまま、階段を降りてくる。ヴェルコがその後に続く。マンドリカが振り向くと、グラスを置いたトレーを持ち、しめやかな足取りでゆっくりと階段を降りて来るアラベラの姿が目に飛び込んで来る。嬉しい驚きのあまり、彼は後じさりする。マンドリカは階段へと走り寄る） ARABELLA （階段の最後の一段に立って） ほんとに良かった。マンドリカ･･･ あなたが去ってしまわなくって･･･ 私はこのグラスのお水を一人で飲んでしまおうと思っていた。 さっき起こったひどい出来事を忘れて、 静かに眠りにつき、あなたのことも、私のことも、 もう考えないでおこうと思っていたの。 いつか私達に再び陽射しが降り注ぐその日まで・・・ ですが、暗がりの中に、あなたの存在を感じた時、 何か巨きな力が、天上から私の心に落ちて来て、 私はもう飲み物で気晴らしをしなくても良くなった。いいえ･･･ もうすでに、私は幸福に包まれて、晴れやかな気持ちなの。 だから、まだ口を付けていないこの飲み物は、友であるあなたに飲んでいただきます。私の娘時代が終わる、この最後の夜に。 （アラベラはマンドリカにグラスを差し出す。ヴェルコは姿を消す） MANDRYKA （一息で飲み干し、グラスを右手に高々と掲げながら） 私の後には、もうこのグラスから飲む者はいません！そうです。永遠に、あなたは私のもので、私はあなたのものなのです！ （グラスを石の階段に投げつけて粉々にする） ARABELLA いま私たちは婚約し、固い絆に結ばれたのです・・・ 悲しみの時も、喜びの時も、 傷つけあう時も、赦しあう時も！ MANDRYKA どんな時も！ぼくの天使・・・。 これから何が起ころうとも！ ARABELLA 信じ続けてくれるわね・・・？ MANDRYKA ずっと今のままのあなたでいてくれますか？ ARABELLA どうしたら別のものになれるというの？ あるがままの私を受けとめて！ （アラベラはマンドリカの腕の中に身を投げる。マンドリカがキスをすると、アラベラは素早く身を離して、階段を駆け上がる。マンドリカは、そのアラベラの姿を目で追い続ける） DRITTER AUFZUG Einleitung (Im Hotel. Offener Raum, zugleich Stiegenhaus. Die Stiege lauft in zwei Wendungen aufwärts. Unten stehen ein paar Tische mit Zeitungen, Schaukelstühle, Fauteuils Vorne rechts ist die Portierloge und der Ausgang auf die Gasse. Es ist Nacht. Matteo in Uniformbluse, wird am Stiegengeländer in der Höhe des ersten Stocks sichtbar. Er späht hinunter. Es läutet an der Haustüre, Matteo verschwindet. Der Zimmerkellner tritt aus der Portierloge hervor, sperrt auf. Arabella tritt ein, vom Ball kommend. Der Zimmerkellner verschwindet. Sie lächelt, wie wach träumend setzt sie sich in den vordersten Schaukelstuhl und wiegt sich leise, vor sich hindenkend.) ARABELLA (vor sich, hindenken) Über seine Felder wird der Wagen fahren und durch seine hohen, stillen Wälder – ja, zu denen paßt er hohe stille Wälder; und dann werden seine Reiter uns entgegenkommen. „Das ist Eure Herrin”, wird er sagen, „die ich mir geholt hab”, wird er sagen, „aus der Kaiserstadt, jetzt aber will sie nimmermehr zurück – bleiben will sie nur bei mir in meinen Wäldern”. MATTEO (erscheint wieder oben, er beugt sich übers Geländer. Er erblickt die unten Sitzende, kann es kaum glauben, daß es Arabella ist, flüstert vor sich hin.) Arabella! Unmöglich! Es ist ja nicht denkbar! (Arabella fährt aus ihrer glücklichen räumerei auf. Sie sieht Matteo nicht er ist ihr im Rücken. Sie spürt nur, daß sie nicht mehr allein ist. Matteo leise unten angelangt, verneigt sich vor ihr) ARABELLA (erstaunt, aber ohne Erregung) Sie hier? (Sie steht schnell auf.) So spät So wohnen Sie noch immer hier im Haus? MATTEO (mit versteckter Beziehung) Sie hier? So muß ich fragen, Arabella! (einen Schritt näher) Du gehst so spät noch einmal aus? ARABELLA Ich komme heim vom Ball und gehe auf mein Zimmer, gute Nacht! (Sie nickt ihm zu und will an ihm orbei hinaufgehen.) MATTEO (mit unendlicher Ironie) Sie kommen heim vom Ball! Sie gehn auf Ihr Zimmer? (halb fur sich) Geheimnis eines Mädchenherzens, unergründliches! ARABELLA Ja, gute Nacht. Was amüsiert Sie da so sehr? MATTEO O Arabella! (er lächeit verliebt und vielsagend) ARABELLA Wenn Sie mir noch etwas zu sagen haben, dann bitte ich, bei Tag, nicht jetzt, nicht hier! MATTEO Noch – etwas? Ich – noch – etwas? O süße Arabella, danken will ich dir von heute bis ans Ende meines Lebens! ARABELLA Danken – wofür? Das ist doch alles ein für allemal vorbei. MATTEO Danken? Wofür? – Die Kunst ist mir zu hoch! Mir graut vor so viel Virtuosität. ARABELLA Was haben Sie? MATTEO So meisterhaft Komödie spielen, nur um der Komödie willen, Komödie spielen ohne Publikum! Das ist zuviel! Das grenzt an böse Hexenkünste ARABELLA Von allen Ihren Reden da versteh’ ich nicht ein Wort, und somit gute Nacht. MATTEO (vertritt ihr den Weg) Schon gut! Jetzt einen Blick noch, einen einzigen, der mir sagt, daß du im Innersten die Gleiche bist! ARABELLA Die Gleiche? MATTEO (Glühend) Die Gleiche? Die Gleiche? Die Gleiche, wie vor einer Viertelstunde! ARABELLA (ganz arglos) Vor einer Viertelstunde war ich anderswo! MATTEO (mit dem Ausdruch varklärter Erinnerung) Vor einer Viertelstundel Ja! da oben! (Er starrt sie Glühend an) ARABELLA (einen Blick nach oben, ohne Verständnis) Ich weiß nicht, was Sie meinen, und ich möchte hier nicht länger stehn! MATTEO (sehr heftig) Das ist zuviel. So kalte Herrschaft über jeden Nerv! Nach solchen Augenblicken – das erträgt kein Mann! Ich appelliere an den einen Blutstropfen in dir, der unfähig zu heucheln ist! (Er packt sie am Arm) ARABELLA Sie sind ja nicht bei Sinnen! Matteo! Geben Sie den Weg mir frei, oder ich rufe! MATTEO Du könntest einen Mann zum Wahnsinn bringen, du, so wie niemand auf der Welt! Bekräftige mit einem einzigen letzten Blick, was zwischen uns gewesen ist, dort oben, und nichts auf dieser Welt verlang’ ich mehr von dir! (Der Kellner kommt aus der Portierloge, geht aufsperren.) ARABELLA Hier kommen Menschen, lassen Sie mich los! MATTEO Ich hab’s geschworen, daß du frei sein wirst von mir, in deine Tränen, in deine flüsternden Küsse hab’ ich’s geschworen – von morgen ab! Ich halte meinen Schwur! Wir waren im Dunkel, ich habe deine Augen nicht gesehen. Gib einen Blick mir jetzt, der alles noch zum letzten Mai besiegelt, und du bist frei für immer! (Adelaide, hinter ihr Mandryka, der sofort stehen bleibt, dann Waldner, zuletzt die drei Spieler; hinter ihnen Welko und Djura.) ADELAIDE Welch ein erregtes tête-à-tête im Stiegenhaus! Du hast dich also nicht zurückgezogen? Mein Kind, was soll das heißen? ARABELLA Aber nichts, Mama, gar nichts. MANDRYKA (sieht starr auf Matteo) Ja. Es ist der Verfluchte mit dem Schlüssel. ARABELLA (tut einen Schritt gegen Mandryka, ganz unbefangen) Sie hab’ ich heut nicht mehr zu sehen vermutet, Herr von Mandryka! MANDRYKA (finster zu Adelaide) Ich bitte, Gräfin, um Erlaubnis, mich zurückzuziehn! (surücktretend) Welko! WELKO (bei ihm) Der Gespodar hat ihn erkannt? MANDRYKA Du packst. Wir fahren mit dem ersten Zug nach Haus. ARABELLA (zu Mandrika hintretend) Hier ist nichts, das Sie anginge, Mandryka. Ich komm’ nach Haus, begegne diesem Herrn, das ist ein alter Freund von uns. Darüber alles erzähl’ ich Ihnen später, wenn Sie wollen. MANDRYKA Ich bitte wirklich sehr, mich zu entschuldigen! (Er macht Miene. zu gehen. Arabella schüttelt erstaunt den Kopf) ADELAIDE O Wien! Die Stadt der Médisance und der Intrige! (Gegen Matteo) Sie Unglückseliger! WALDNER (Mandryka aufhaltend) Du bleibst noch einen Augenblick! Es scheint, daß hier noch Mißverständnisse geblieben sind. (Zu Arabella) Ich frage dich, mein Kind! Wo kommst du her? Hat der Herr Leutnant dich vom Ball nach Haus begleitet? Mit deiner Zustimmung? ARABELLA Papa, so schau mir ins Gesicht! Kann ein Verrückter alle närrisch machen auf ein, zwei? WALDNER Du hast mir nichts zu sagen? ARABELLA Aber wirklich nichts, als was du ohnehin schon weißt, Papa, seit heute abend. Oder weißt du etwa nicht? WALDNER Da bin ich sehr erleichtert. (Küßt Arabella auf die Stirn. Zu Mandryka) Also bitte! Es ist nichts vorgefallen! Aber gar nichts. Schwamm drüber über alle Aufregung, und gute Nacht! (Zu den Spielern) Ich bitte dort hinein. Wir spielen sofort weiter. MANDRYKA (tritt zu Arabella, spricht nur zu ihr) Ich werde helfen, soviel Geld und guter Wille helfen kann, vertuschen diese häßliche Komödie, da ich die Rolle nicht geeignet bin zu spielen, die Sie mir haben zugedacht, mein Fräulein. DUO ADELAIDE O dreimal unglückselige Begegnung! MANDRYKA (wendet sich – vor sich) Nein, nein, wie ist das möglich! Wie kann das möglich sein! WALDNER Jetzt keine Arien, wenn ich bitten darf! ARABELLA (nur zu Mandryka) Mandryka, hören Sie, so wahr ein Gott im Himmel ist, so haben Sie mir nichts hier zu verzeihen! Viel eher muß ich Ihnen, wenn ich kann, verzeihen, was Sie zu mir geredet haben und in welchem Ton! MANDRYKA (den Blick böse auf Matteo geheftet) Ich müßte blind sein, und hab’ leider scharfe Augen, ich müßte taub sein, und hab’ leider gute Ohren, ich müßte schwach im Kopfe sein – dann vielleicht, daß ich das Individuum (Er verweist auf Matteo) nicht erkennen täte und nicht verstünde, was hier für ein Spiel gespielt wird bei der Nacht. MATTEO (getroffen von der Insulte, die in Mandrika Blich und Meine liegt) Mein Herr, wenn Sie hier irgendwelche Rechte besitzen, wenn auch erst seit kurzer Zeit – ich stehe zur Verfügung! ARABELLA (zwischen beiden stehend) Ja, alle Rechte besitzt dieser Herr, denn er ist mein Verlobter, und Sie besitzen das Leiseste nicht, auch nicht einen Schatten von Rechten! Sagen Sie selber! MATTEO (zögernd gequält) Nein... keines... ARABELLA (zu Mandryka) Sie hören! MANDRYKA Hätten Sie den Herrn ausreden lassen! Ein kleines Wort war ihm noch auf der Zunge. „Nein, keines – außer” hat er sagen wollen und hat es schnell verschluckt! Ich aber, ich hab’ es noch gesehn auf seinen Lippen. ARABELLA Matteo, nie hab’ ich für niedrig Sie gekannt! Was tun Sie jetzt an mir – ! Sie wollen mich aus Trotz vor aller Welt kompromittieren! Sie wollen meine Heirat mir verderben! ADELAIDE Unsel’ger Intrigant! So will er die Hand meines Kindes erschleichen! MANDRYKA (tut einen Schritt näher zu Mandrika) „Außer –” Heraus mit der verschwiegenen Wahrheit! MATTEO (fest) Kein Wort! Kein Wort! MANDRYKA (zu Arabella) Außer den Rechten, hat er sagen wollen, die diese Nacht verliehen hat! Versuchen Sie, vielleicht zu Ihnen ganz allein wird er ein Wörterl drüber sagen! ARABELLA (zu Matteo) Haben Sie vor diesem Herrn mir noch etwas zu sagen? MATTEO (senkt den Kopf) Nein! MANDRYKA (zu Matteo) Ich gratuliere Ihnen, Herr Leutnant, zu ihrem Glück bei schönen Frauen und Ihrer Diskretion, die beiden sind gleich groß. ARABELLA Hast du gehört, Papa? WALDNER Mandryka, dafür wirst du Genugtuung mir geben! (zu Adelaide) Wo sind meine Pistolen? Was – verkauft? O Sakrament! ich werd’ mir andere zu verschaffen wissen. ARABELLA (bleibt stehen, wo sie ist, mit tief schmerz lichen Ausdruck) Mag alles gehen, wie es will, das Leben ist nichts wert! Was ist an allem in der Welt, wenn dieser Mann so schwach ist und die Kraft nicht hat, an mich zu glauben! Und mich dahin gibt wegen eines Nichts! DIE GÄSTE (oben auf der Treppe) Wie? Kennen Sie sich aus? Welcher hat wen erwischt? Was? Sie hat fortgewollt? Wie, mit dem Leutnant? ADELAIDE (mit einer Grossen Gebärde auf Waldner) Nein, dieser junge Mensch ist es nicht wert, vor deine Pistole zu kommen, Theodor! Das ist die niederträcht’ge Kabale des abgewiesenen Freiers und nichts weiter! DIE GÄSTE (oben auf der Treppe) Welcher hat wen erwischt? Was ! Sie hat fortgewollt? Wie, mit dem Leutnant ? Wie? Kennen Sie sich aus? WALDNER Von dem da redet niemand. Der Mandryka – der ist mir Genugtuung schuldig! MATTEO Ich bin allein der Schuldige. Ich nehme jedes Wort zurück, und jeden Blick! Mißdeutet hat man alles, und ich habe nichts von dem gemeint, was Sie zu hören glaubten. Wenn jemand Strafe hier verdient, so bin ich’s. WALDNER (scharf) Eintunken und reinwaschen wiederum in einem Atemzug, das war zu meiner Zeit nicht Brauch bei Offizieren! MANDRYKA (nur zu Arabella) Der junge Mann benimmt sich brav wie möglich. Es wäre an der Zeit, daß Sie auf ihn ein biss’l Rücksicht nehmen täten, schönes Kind. Gestehen Sie mir die Wahrheit, mir allein! Es ist Ihr Liebhaber! Ich werde alles tun – Sie können sich auf mich verlassen, Arabella! ARABELLA (seiht mit fest an) Bei meiner Seel’ und Seligkeit, Mandryka, die Wahrheit ist bei mir! MANDRYKA Nicht deine Seele so verschwören, Mädel! Mir tut das Herz so weh um dich! (vor sich) O Gott, was tust du mir für eine Schande an durch dieses Weib! (Nochmals zu Arabella, leise) Wenn ich den Buben doch gesehn hab’, wie er den Schlüssel ihm hat übergeben zu Ihrem Zimmer. ARABELLA Was für einen Buben? MANDRYKA Den Buben, Ihren Groom, den Sie geschickt! ARABELLA Den Zdenko? Mein Gott! Oder wen? MANDRYKA Aha! Ich will, daß Sie gestehn! Mir allein! ARABELLA (fur sich) Ist denn die Hölle gegen mich verschworen! MANDRYKA Soll ich den Menschen dort, der mir mein Leben ruiniert hat, soll ich ihn schonen als Ihren Geliebten? Reden Sie! ARABELLA Die Wahrheit ist bei mir. Mandryka, nur die Wahrheit, denn alles sonst – das seh’ ich ja – ist gegen mich! MANDRYKA Zum letzten Mal! Willst du heiraten dort den Menschen, mit dem du hast das süße Stelldichein gehabt nach unserer Verlobung zehn Minuten! ARABELLA (gesprochen) Ich habe nichts zu antworten, Herr von Mandryka, auf Ihre Fragen. (Sie geht weg von ihm.) MANDRYKA (grimmig) Auch gut. Aufsperren laß dir eine Waffenhandlung, Welko, soll kosten was es will, ich brauche Säbel! Zwei schwere Säbel, scharfgeschliffene! Sofort hierher! Und einen Doktor laß aufwecken, sonst brauch’ ich nichts. Dort ist der Wintergarten. (Mit einer halben Wendung zu Matteo) Wir werden ohne Zeugen alles schon zu Ende bringen. (Er nimmt seine Zigarrentasche heraus, überlegt, bietet Matteo eine an, der ablehnt, zündet sich selber eine an.) Die Herrschaften vielleicht gestatten uns, allein zu bleiben bis dahin. (Er raucht . Dumpfe Erwartung) ZDENKA (Stimme von oben) Papa! Mama! (Zdenka in einem Negligé, mit offenem Haar, völlig Mädchen, kommt die Treppe heruntergestürzt, wirft sich vor ihrem Vater auf die Knie.) Papa! ADELAIDE (bedeckt Zdenka mit ihrer Mantille.) Zdenka! Was für ein Aufzug! Welche Schande! ARABELLA Was ist geschehen! Zdenkerl! Red! Ich bin bei dir. ZDENKA Nur schnell adieu sag’ ich euch allen. Ich muß fort. Ich muß ja in die Donau, noch bevor es Tag wird. WALDNER Was soll das heißen? DIE GÄSTE (murmelnt) Wer ist nun wieder dieses hübsche Mädel? MANDRYKA (für sich) Ich hab’ doch das Gesicht schon heute wo gesehen! ZDENKA Verzeiht mir alles nur – und laßt’s mich fort! Ich schäm’ mich so – ich sterb’ vor Scham – so laßt’s mich fort! Vor Sonnenaufgang schon muß ich drin liegen tief – nachher dann werden alle mir verzeihn, auch der Papa! ARABELLA (umschlingt sie und zeit sie an sich) Du bleibst bei mir. Und was dir auch geschehen ist, an dir ist nichts geschehen, daß man dich weniger lieb müßt haben! ZDENKA (auf Matteo deutend) Er ist unschuldig. Er hat nichts gewußt. Nur ich allein – ADELAIDE Schweig, unglückseliges Kind! Schweig bis ans Grab! WALDNER (zu Adelaide) Schweig du sofort und reden laß das Madel! Da habt ihr euren Lohn für eure Maskeraden. ZDENKA (zu Arabella) Nur dir kann ich es sagen, dir nur, dir allein! ARABELLA Ich bin bei dir, ich laß dich nicht im Stich, ich bin bei dir! ZDENKA (an sie geschmiegt) Er hat geglaubt, daß du es bist! Ich hab’s getan aus Angst um ihn, Bella, verstehst du mich? Er weiß ja jetzt noch nicht, daß ich es war! (angstvoll) Matteo! MATTEO Welch süße Stimme ruft mich an? ZDENKA (schamhaft) Die Stimme der Betrügerin, Matteo! Dein Freund, dein einz’ger, dein Zdenko steht vor dir! ich bin ein Mädel, ach, ich war ja nie was andres. MATTEO O du mein Freund! Du meine Freundin! Süßer Engel du! ZDENKA Dich muß ich um Verzeihung bitten, dich und sie, euch beide – o mein Gott! (Sie bedeckt ihr Gesicht mit den Händen) ARABELLA Wenn zuviel Liebe um Verzeihung bitten muß, dann bitte ihn halt um Verzeihung! (Drückt sie an sich und küsst sie) MATTEO Im Zimmer war’s zu finster, deine Stimme hab’ ich nicht gehört – und doch ist mir, als hätt’ ich es geahnt von Anfang an, o süßer kleiner Zdenko! (Zdenka sieht ihn zärtlich an, bleibt aber in Arabellas Armen.) MANDRYKA (vor sich) Das Mädel war der Groom! Ich möcht’ in Boden sinken! Wie soll sie jemals mir verzeihen können, wo ich mir selber nicht verzeihen kann! (Welko kommt von rechts, zwei Kavalleriesäbel im Arm. Hinter ihm Djura mit zwei Pistolen in einem Kästchen, dahinter ein Arzt. Mandryka sieht sie, winkt ab.) WALDNER (hat sie gleichfalls gesehen. Mit kalter Entschlossenheit) Sehr gut. Jetzt habe ich mein richtiges Vis-à-vis. Die Sache geht allein den Vater an. DIE DREI SPIELER Oho! Oho! MANDRYKA (Ohne auf Waldner zu achten, nur zu Arabella) Wie steh’ ich vor Ihnen, Arabella! Ich weiß, nicht einen Blick von Ihnen bin ich wert mein Leben lang! So wie ein Tölpel mit den beiden Fäusten da, hab’ ich gemeint, man dürfte greifen nach dem allergrößten Glück, und bin unwert geworden – so im Handumdrehn, und jetzt bleibt Reue und mich schämen bis an meinen letzten Tag. ARABELLA Zdenkerl, du bist die Bess’re von uns zweien. Du hast das liebevollere Herz, und nichts ist da für dich, nichts in der Welt, als was dein Herz dich heißt zu tun. Ich dank dir schön, du gibst mir eine gute Lehre, daß wir nichts wollen dürfen, nichts verlangen, abwägen nicht und markten nicht und geizen nicht, nur geben und liebhaben immerfort! (Sie gibt dabei nicht Mandryka den Sehnlich erwartenten Blick.) ZDENKA Wie sanft du zu mir sprichst! Du bist nicht bös auf mich! Du bist so unaussprechlich gut, ich kenn’ dich, wie dich keiner kennt, und immer möcht ich alles dir zuliebe tun – und nur verschwinden hätt’ ich mögen still und euch nicht kränken! Aber du verstehst mich, du, und wirst mich nicht verlassen, was auch jetzt noch kommt! MANDRYKA (vor sich, sehr zaghaft) Was jetzt noch kommt – ADELAIDE O Gott! O Übermaß der Schande! O wäre dieser Abend nie gewesen! Das hat keine Prophetin mir vorausgesagt! WALDNER (fest) Was jetzt noch kommt, das ist ganz klar! (Er tut einen entschlossenen Schritt, mit einem Blick auf die Pistolen.) ARABELLA (zu Zdenka) Was immer kommt, ich bin bei dir! MANDRYKA (den Blick auf Arabella, gepreßt) Was jetzt noch kommt – ZDENKA (angstvoll) Papa! MATTEO Engel vom Himmel, da sei Gott vor, daß dich die Welt beschmutzen dürfte! MANDRYKA (noch gepresster) Was jetzt noch kommt – (Er wendet sich zum Gehen.) ARABELLA (leise, über Zdenkas Schutter hin) Mandryka! (Sie hebt ihre Hand) MANDRYKA (stürzt sich auf die Hand) Ich bin nicht wert solcher Verzeihung! ARABELLA Still, Mandryka! Wir sprechen jetzt nichts mehr. Wir haben jetzt vergessen, was uns hier geschehen ist! Es war nicht unsre Schuld. Wir wollen allen guten Willen haben für das, was jetzt noch kommt! MANDRYKA Für das, was jetzt noch kommt? (Er ergreift schnell entschlossen Matteos Hand und führt diesen auf Waldner zu.) Brautwerbung kommt! Mit diesem Herrn da trete ich vor Ihnen, Hochgeborener Herr, verneige mich und bitte für ihn als meinen Freund, daß Sie die Hand nicht weigern ihm von diesem jungen Fräulein. (Waldner macht eine abwehrende Gebärde) Nicht weigern ihm, was große Liebe ihm verliehen hat! ZDENKA (schwach) Matteo! Papa! Was ist das alles? Muß ich nicht fort? ARABELLA Du mußt jetzt glücklich sein, wie du’s verdienst! WALDNER (gerührt, küßt sie) So wein’ nicht, Kleine. Reichen Sie mir Ihre Hand, mein Herr. (Er reicht Matteo die Hand.) ADELAIDE O Theodor, welch eine Wendung! WALDNER Kolossal! ADELAIDE (in Tränen) O Theodor! WALDNER (umarmt Adelaide flüchtig, wendet sich dann gleich zu den Spielern) Ich stehe zur Verfügung, meine Herren! (Eilig ab in den Wintergarten, die Spieler mit ihm) DIE GÄSTE (murmeln) Wir gehen schlafen. Jetzt passiert nichts mehr! (Sie suchen ihre Zimmer auf.) ARABELLA (unter Bezugnahme auf Zdenka) Führ’ sie hinauf, Mama! (Mandryka tut einen Schritt auf Arabella zu. Adelaide und Zdenka steigen die Stiege Hinauf in den ersten Stock) Wir sprechen jetzt nicht mehr, bis wieder heller Tag ist! Meinen Sie nicht auch? ZDENKA (zärtlich) Matteo! ARABELLA (zu ZDENKA) Geh nur, er kommt morgen früh, dann hast du ihn für immer. (Matteo verschwindet. Mandryka steht Ängstlich gespannt da.) ARABELLA (zu Mandryka hin, sehr leicht.) Kann Ihr Diener im Hof zum Brunnen gehen und mir ein Glas recht frisches Wasser bringen dort hinauf? (Welko eilt ab.) Ich glaub’, es täte mir ganz gut nach dieser Unterhaltung. (Sie geht die Stiege hinauf. Mandrika sieht ihr nach, bis sie oben ist. Jemand muß noch eine Lampe ausgedreht haben, es ist jetzt merklich finsterer) MANDRYKA Sie gibt mir keinen Blick, sie sagt nicht gute Nacht, sie läßt mich stehn und geht. Hab’ ich was anderes verdient? Was ist verdient auf dieser Welt? Verdient ist nichts. Stockprügel sind verdient für einen Kerl wie mich – aber geschenkt hätt’ ich gern einen Blick genommen – so einen halben Blick! (Welko erscheint mit einem Glas Wasser auf einem Tablett, sieht Mandryka fragend an.) Geh nur hinauf! (Welko geht hinauf.) Sie hat gar nichts gemeint, als ein Glas Wasser haben und Ruh vor meinem Anblick. Oder spotten hat sie wollen. Vielleicht –? Wenn sie nur spottet, wenigstens ist’s doch schon eine Gnade, eine unverdiente, das weiß Gott! (Er abgelegte Schuss auf einem Stuhl. Arabella erscheint oben. Sie nimmt das Glas und steigt hinunter. Welko hinter ihr. Mandryka wendet sich, sieht Arabella mit dem Glas auf dem Tablett, langsam und feierlich herunterkommen; vor freudigem Schrecken tritt er zurück. Mandryka nähert sich die Leiter) ARABELLA (vor der letzten Stufe) Das war sehr gut, Mandryka, daß Sie noch nicht fortgegangen sind – das Glas da hab’ ich austrinken wollen ganz allein auf das Vergessen von dem Bösen, was gewesen ist, und still zu Bette gehn und nicht denken mehr an Sie und mich, bis wieder heller Tag gekommen wäre über uns. Dann aber, wie ich Sie gespürt hab’ hier im Finstern stehn, hat eine große Macht mich angerührt von oben bis ans Herz, daß ich mich nicht erfrischen muß mit einem Trunk nein, mich erfrischt schon das Gefühl von meinem Glück, und diesen unberührten Trunk kredenz’ ich meinem Freund den Abend, wo die Mädchenzeit zu Ende ist für mich. (Sie reicht ihm das Glas hin. Welko verschwindet.) MANDRYKA (indem er schnell in einem Zuge austrinkt und das Glas hoch in seiner Rechten hält) So wahr aus diesem Glas da keiner trinken wird nach mir, so bist du mein und ich bin dein auf ewige Zeit!. (Er schmettert das Glas auf die Steinstufen.) ARABELLA Und so sind wir Verlobte und Verbundene auf Leid und Freud und Wehtun und Verzeihn! MANDRYKA Auf immer, du mein Engel, und auf alles, was da kommen wird! ARABELLA Und du wirst glauben –? MANDRYKA Und du wirst bleiben, wie du bist? ARABELLA Ich kann nicht anders werden, nimm mich, wie ich bin! (Sie sinkt ihm in die Arme, er küßt sie, sie macht sich schnell los und läuft die Stiege hinauf. Mandryka sieht ihr nach.) この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Strauss,Richard/Arabella

• elvis @Wiki - Subjects-Science-General 49

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• オペラ対訳プロジェクト - Mahler,Gustav/Das Lied von der Erde/1

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  Das Trinklied vom Jammer der Erde　地上の悲しみを歌う酒宴の歌 黄金の酒杯は、君らをいざなうが、 まだ飲むなかれ！ まずは私が一曲歌おう！ 悲しみを歌う曲ではあるが、 君らのこころには、高笑いとなって響くがいい。 ひとたび悲しみが近づけば、 こころの園は荒れ果てて、 歓びも歌も枯れて死ぬ。 生は闇だが、死もまた闇。 この家のあるじよ！ おぬしの酒蔵は、黄金の酒に満ちている。 そこにある琴を、私にくれ！ 琴をつまびくと、盃を干すとは、 さても互いに、似合いのことよ。 一杯の酒は、時さえ得れば、 いかなる地上の国よりも、よほど価値の高きもの！ 生は闇だが、死もまた闇！ 天空は、とこしえに蒼い。大地はどこまでも 揺るぎなく・・・春になれば花が咲く。 ああ･･･なのに、人はどれだけ生きるというのか？ 百年にも満たぬ間を、つまらぬ地上のガラクタで 気晴らしするのが、関の山！ さあ、見下ろせ！ 月明かりの墓場にうずくまっている 妖怪じみた姿を！ 猿だ！聞こえないのか？あの金切り声が！ かぐわしき人生に呼びかけるあの叫び声が！ さあ、酒をとれ！ その時が来たぞ、我が友たちよ！ 金盃の底まで飲み干すがいい！ 生は闇だが、死もまた闇だ！ Schon winkt der Wein im goldnen Pokale, Doch trinkt noch nicht, erst sing ich euch ein Lied! Das Lied vom Kummer soll auflachend in die Seele euch klingen. Wenn der Kummer naht, liegen wüst die Gärten der Seele, Welkt hin und stirbt die Freude,der Gesang. Dunkel ist das Leben, ist der Tod. Herr dieses Hauses! Dein Keller birgt die Fülle des goldenen Weins! Hier, diese Laute nenn ich mein! Die Laute schlagen und die Gläser leeren, Das sind die Dinge, die zusammen passen. Ein voller Becher Weins zur rechten Zeit Ist mehr wert,als alle Reiche dieser Erde! Dunkel ist das Leben, ist der Tod! Das Firmament blaut ewig, und die Erde Wird lange fest stehen und aufblüh n im Lenz. Du aber, Mensch, wie lang lebst denn du? Nicht hundert Jahre darfst du dich ergötzen An all dem morschen Tande dieser Erde! Seht dort hinab! Im Mondschein auf den Gräbern Hockt eine wildgespenstische Gestalt. Ein Aff ist s! Hört ihr, wie sein Heulen Hinausgellt in den süßen Duft des Lebens! Jetzt nehmt den Wein! Jetzt ist es Zeit, Genossen! Leert eure gold nen Becher zu Grund! Dunkel ist das Leben, ist der Tod! Der Einsame im Herbst　秋ひとり佇む者 湖水に青く広がる秋の霧･･･ 草木は、露におおわれて・・・ さながら、翡翠（ひすい）のかけらをば、 匠（たくみ）が花々にばらまいたかのよう。 花の香りは消え失せて、 冷たい風が、茎をたわめる。 やがては、しぼんだ金色の蓮の葉が、 湖水を流れていくでしょう。 私の心は疲れ切り、 手にした灯りも、ふっと消えた･･･、 いまは、眠りにさそわれるのみ。 今から行くわ、やすらぎの地へ！ ああ、もう休ませて！癒しが欲しいの！ ひとりぼっちで、心ゆくまで泣く。 あまりに長き心の秋・・・ ねえ、愛の太陽よ、 もう二度と、差し込んで来て、私のつらい涙を やさしくふき取ってはくれないの？ Herbstnebel wallen bläulich überm See; Vom Reif bezogen stehen alle Gräser; Man meint , ein Künstler habe Staub vom Jade Über die feinen Blüten ausgestreut. Der süße Duft der Blumen ist verflogen; Ein kalter Wind beugt ihre Stengel nieder. Bald werden die verwelkten,gold nen Blätter Der Lotosblüten auf dem Wasser zieh n. Mein Herz ist müde. Meine kleine Lampe Erlosch mit Knistern; es gemahnt mich an den Schlaf. Ich komm zu dir, traute Ruhestätte! Ja, gib mir Ruh , ich hab Erquickung not! Ich weine viel in meinen Einsamkeiten. Der Herbst in meinem Herzen währt zu lange. Sonne der Liebe, willst du nie mehr scheinen, Um meine bittern Tränen mild aufzutrocknen? Von der Jugend　青春について ちっちゃなお池の真ん中に、 あずまや一つ、建っている。 緑と白の瀬戸物づくり。 虎の背のようなアーチをえがく 翡翠（ひすい）でできた掛け橋が あずまやに向け、のびている。 家の中には、仲間がつどう。 着飾り、酒を酌み交わす。 おしゃべりしたり、詩をつくる。 みんなは、着物の袖を後ろにまくり、 おまけに絹のかんむりも、ふざけるように、 首のほうまで、ずらしてる。 小池の静かな水面（みなも）の上は、 みんなヘンテコな 鏡の姿に映っているよ。 すべて逆立ちしているよ･･･ あずまやの中みんな。 緑と白の瀬戸物づくり。 半月のような橋だって、 アーチが逆さに映ってる。 仲間は着飾り、飲み、しゃべる。 Mitten in dem kleinen Teiche Steht ein Pavillon aus grünem Und aus weißem Porzellan. Wie der Rücken eines Tigers Wölbt die Brücke sich aus Jade Zu dem Pavillon hinüber. In dem Häuschen sitzen Freunde, Schön gekleidet, trinken, plaudern, Manche schreiben Verse nieder. Ihre seidnen Ärmel gleiten Rückwärts, ihre seidnen Mützen Hocken lustig tief im Nacken. Auf des kleinen Teiches stiller Wasserfläche zeigt sich alles Wunderlich im Spiegelbilde. Alles auf dem Kopfe stehend In dem Pavillon aus grünem Und aus weißem Porzellan; Wie ein Halbmond steht die Brücke, Umgekehrt der Bogen. Freunde, Schön gekleidet, trinken, plaudern. Von der Schönheit　美について 乙女たちが花を摘む・・・ 河原で摘むのは、睡蓮の花。 草木のあいだに腰をかけ、 お膝に花を摘みながら、 楽しく、はしゃぎあっている。 金の陽射しがたゆたって、 きらめく水に乙女たちの姿を映す。 すると水面（みなも）に映るのは、 きゃしゃな体と、可愛い瞳。 西から吹いたそよ風が、こびるようにそっと 着物の袖をめくり上げると、 魔法のような乙女の香りが、 風に乗って、運ばれて行く。 おや、何だ？ 向こうの河原で、元気な馬に乗って 駆け回っている美少年たちは？ お日様のように遠くにきらめいたと思ったら、 もう沃野の草むらを駆け抜けて、 若々しい姿で、やって来たぞ！ 一人の馬は、陽気にいななき、 ためらいつつも、突き進む。 蹄（ひづめ）は、草花の上を通り抜け、 急に巻き起こった嵐のように、 倒れた花を踏みにじる。 すごいぞ！たなびく、あのたてがみ！ 鼻孔から出る熱い湯気！ 金の陽射しがたゆたって、 きらめく水に、乙女たちの姿を映す。 最美の乙女は、憧れを込めて その少年をずっと見つめている。 気位の高そうな振りをしているけれど、 その娘のきらめく大きな瞳と 熱い眼差しの陰では、 ときめく胸の鼓動が、 いついつまでも、ふるえている。 Junge Mädchen pflücken Blumen, Pflücken Lotosblumen an dem Uferrande. Zwischen Büschen und Blättern sitzen sie, Sammeln Blüten in den Schoß und rufen Sich einander Neckereien zu. Gold ne Sonne webt um die Gestalten, Spiegelt sie im blanken Wasser wider. Sonne spiegelt ihre schlanken Glieder, Ihre süßen Augen wider, Und der Zephyr hebt mit Schmeichelkosen Das Gewebe ihrer Ärmel auf, Führt den Zauber Ihrer Wohlgerüche durch die Luft. O sieh, was tummeln sich für schöne Knaben Dort an dem Uferrand auf mut gen Rossen? Weithin glänzend wie die Sonnenstrahlen; Schon zwischen dem Geäst der grünen Weiden Trabt das jungfrische Volk einher! Das Roß des einen wiehert fröhlich auf Und scheut, und saust dahin, Über Blumen, Gräser wanken hin die Hufe, Sie zerstampfen jäh im Sturm die hingesunk nen Blüten. Hei! Wie flattern im Taumel seine Mähnen, Dampfen heiß die Nüstern! Gold ne Sonne webt um die Gestalten, Spiegelt sie im blanken Wasser wider. Und die schönste von den Jungfrau n sendet Lange Blicke ihm der Sehnsucht nach. Ihre stolze Haltung ist nur Verstellung. In dem Funkeln ihrer großen Augen, In dem Dunkel ihres heißen Blicks Schwingt klagend noch die Erregung ihres Herzens nach. Der Trunkene im Frühling　春の酔っ払い 生きてることが夢ならば、 あくせくしたって、何になる？ 飲めなくなるまで、酒を飲もう。 日がな一日、この良き日！ のども心も満ち足りて、 もはや飲めなくなったなら、 我が家の戸口に転がって、 素敵な眠りをむさぼろう！ 目覚めに何だか聞こえるぞ？聞いてごらん！ こずえに鳥が歌ってる。 ぼくは尋ねる･･･「もう春なのかい？ まるで夢を見ているようだけど。」 鳥はさえずる・・・「そうだよ、そうさ！ 春が来たのさ！一夜で来たんだ！」 じっくり考え、よく耳を澄ましたが、 やっぱり鳥は、そこに笑って歌っている！ ぼくは新たに盃を満たし、 ぐっと飲み干し、歌い続ける・・・ 暗い夜空に、 月が出るまで！ 歌えなくなったら、 また寝よう。 春だからって、何だってんだ！？ ぼくを酔わせておいてくれ！ Wenn nur ein Traum das Leben ist, Warum denn Müh und Plag ? Ich trinke, bis ich nicht mehr kann, Den ganzen, lieben Tag! Und wenn ich nicht mehr trinken kann, Weil Kehl und Seele voll, So tauml ich bis zu meiner Tür Und schlafe wundervoll! Was hör ich beim Erwachen? Horch! Ein Vogel singt im Baum. Ich frag ihn, ob schon Frühling sei, Mir ist als wie im Traum. Der Vogel zwitschert Ja! Der Lenz Ist da, sei kommen über Nacht! Aus tiefstem Schauen lauscht ich auf, Der Vogel singt und lacht! Ich fülle mir den Becher neu Und leer ihn bis zum Grund Und singe, bis der Mond erglänzt Am schwarzen Firmament! Und wenn ich nicht mehr singen kann, So schlaf ich wieder ein, Was geht mich denn der Frühling an!? Laßt mich betrunken sein! Der Abschied　告別 夕陽は、山の陰に隠れて、 夕闇は、すべての谷に落ち、 辺りは、涼しき影につつまれる。 見よ！しろがねの帆かけ船のように、 天の蒼海に、月が漂い浮かぶのを。 肌をなでる、やわらかな風・・・ ヒノキの木陰に吹きそよぐ！ 小川は闇の向こうから、妙なる響きを歌い、 花々は、微光の中で青ざめる。 大地は、憩いと眠りに息づき、 ありとある憧れは、夢を見ようとする。 疲れた人々は家路をたどり、 忘れてしまった幸せと 若き日々とを、眠りの中に取り戻そうとする！ 小鳥は、枝に身をひそめ、 この世は、すべて眠りにつく！ ヒノキの陰に、涼しき風が吹く。 私はここで、友を待つ･･･ 友に最後の別れを告げるため。 ああ、友よ･･･君の傍らにいて、 この夜の美しさを味わい尽くしたい。 どこにいるのだ？いつまで独りでいさせる気だ！ 私は、竪琴を持って、歩き廻る。 やわらかな草ふくめる小道の上を。 ああ、美よ！ とこしえの愛と生に酔いしれた、この世よ！ 馬から降りた友に、 別れの盃を差し出して、 問いかける・・・「どこへ行くのだ？ なぜ行かねばならぬのだ？」 友は語り始めた･･･くぐもる声で。 「我が友よ・・・ 私は、この世では幸せを得られなかった！ どこへ行くかと？山へとさすらうつもりだ。 私の孤独なこころは、安らぎを求めている。 ふるさとへと帰るのだ･･･私の居場所へと。 決して遠くに行くわけではない。 心おだやかに、その時を待とう！ この、いとしき大地に、見わたす限り、 春の花が咲き乱れ、新緑に燃える時を！ どこまでも、とこしえに青き光、遥か彼方まで！ とこしえに・・・とこしえに・・・！」 Die Sonne scheidet hinter dem Gebirge. In alle Täler steigt der Abend nieder Mit seinen Schatten,die voll Kühlung sind. O sieh! Wie eine Silberbarke schwebt Der Mond am blauen Himmelssee herauf. Ich spüre eines feinen Windes Wehn Hinter den dunklen Fichten! Der Bach singt voller Wohllaut durch das Dunkel. Die Blumen blassen im Dämmerschein. Die Erde atmet voll von Ruh und Schlaf, Alle Sehnsucht will nun träumen. Die müden Menschen geh n heimwärts, Um im Schlaf vergeß nes Glück Und Jugend neu zu lernen! Die Vögel hocken still in ihren Zweigen. Die Welt schläft ein! Es wehet kühl im Schatten meiner Fichten. Ich stehe hier und harre meines Freundes; Ich harre sein zum letzten Lebewohl. Ich sehne mich, o Freund,an deiner Seite Die Schönheit dieses Abends zu genießen. Wo bleibst du? Du läßt mich lang allein! Ich wandle auf und nieder mit meiner Laute Auf Wegen, die vom weichen Grase schwellen. O Schönheit! O ewigen Liebens, Lebenstrunkne Welt! Er stieg vom Pferd und reichte ihm den Trunk des Abschieds dar. Er fragte ihn, wohin er führe und auch warum es müßte sein. Er sprach, seine Stimme war umflort Du, mein Freund, Mir war auf dieser Welt das Glück nicht hold! Wohin ich geh? Ich geh, ich wandre in die Berge. Ich suche Ruhe für mein einsam Herz. Ich wandle nach der Heimat, meiner Stätte. Ich werde niemals in die Ferne schweifen. Still ist mein Herz und harret seiner Stunde! Die liebe Erde allüberall Blüht auf im Lenz und grünt aufs neu! Allüberall und ewig blauen licht die Fernen! Ewig... ewig...! この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Mahler,Gustav/Das Lied von der Erde

• elvis @Wiki - Subjects-Professional&Technical-Engineering-General 364

  https://w.atwiki.jp/elvis/pages/7104.html

  Vibrating Systems with a Limited Power Supply Iliffe?　V O Kononenko?　G M L Gladwell?　 Iliffe?　VOKononenko?　GMLGladwell?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Communication and Radar Systems Authors Choice Pr?　Nicolaos Tzannes?　 AuthorsChoicePr?　NicolaosTzannes?　ジャンル別?　Subjects-Engineering-Electrical&Electronics-Antennas&Radar?　Subjects-Engineering-General?　Subjects-Engineering-Telecommunications-General?　Subjects-Engineering-Telecommunications-Radio&Wireless?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Antennas&Radar?　 Subjects-Professional&Technical-Engineering-Telecommunications-General?　 Subjects-Professional&Technical-Engineering-Telecommunications-Radio&Wireless?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General The Four Keys to Successful Design A Motivational Approach, from Thought to Finish Iuniverse Inc?　Nathan Todd Cool?　 IuniverseInc?　NathanToddCool?　ジャンル別?　Substores-UnknownASINs-62?　Subjects-Arts&Photography-GraphicDesign-Commercial-General?　Subjects-Engineering-General?　Subjects-Health,Mind&Body-Self-Help-Success?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General The Patterns of New Ideas 300 Ideas for Products, Inventions and Improvements Iuniverse Inc?　Mark Meek?　 IuniverseInc?　MarkMeek?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-Education-Research?　 Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics?　Subjects-Science-General　Subjects-Science-Reference-General? On the Network Iuniverse Inc?　Jason Rakers?　Marie Rosas?　 IuniverseInc?　JasonRakers?　MarieRosas?　ジャンル別?　Subjects-Engineering-Civil-Environmental-General　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-General　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Adventures in Construction (Expect the Unexpected) Iuniverse Inc?　Art Post?　 IuniverseInc?　ArtPost?　ジャンル別?　Subjects-Biographies&Memoirs-General?　Subjects-Biographies&Memoirs-Memoirs?　Subjects-Engineering-General?　Subjects-Entertainment-Humor-General?　Subjects-Professional&Technical-Engineering-General Four Keys To Successful Design A Motivational Approach, From Thought To Finish Iuniverse Inc?　NATHAN TODD COOL?　 IuniverseInc?　NATHANTODDCOOL?　ジャンル別?　Subjects-Arts&Photography-GraphicDesign-Commercial-General?　Subjects-Engineering-General?　Subjects-Health,Mind&Body-Self-Help-Creativity?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Excel Scientific And Engineering Cookbook (Cookbooks (O'Reilly)) Oreilly & Associates Inc?　David M. Bourg?　 Oreilly&AssociatesInc?　DavidM.Bourg?　ジャンル別?　 Subjects-Computers&Internet-Networking-DataintheEnterprise-StatisticalComputing?　 Subjects-Computers&Internet-Software-Spreadsheets-MicrosoftExcel-General?　Subjects-Computers&Internet-Programming-General?　Subjects-Computers&Internet-Home&Office-Spreadsheets-General?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Make Technology on Your Time (Make Technology on Your Time) Oreilly & Associates Inc?　Mark Frauenfelder?　 Oreilly&AssociatesInc?　MarkFrauenfelder?　ジャンル別?　Subjects-Computers&Internet-Hardware-Peripherals?　Subjects-Computers&Internet-Hardware-General?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Clocks and Watches (All Col. Pbs.) Hamlyn?　Kenneth Ullyett?　 Hamlyn?　KennethUllyett?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General English Domestic Clocks Hamlyn?　Herbert Cescinsky?　M R Webster?　 Hamlyn?　HerbertCescinsky?　MRWebster?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General The World of Aviation Reed Dump?　Chris Ellis?　 ReedDump?　ChrisEllis?　ジャンル別?　Subjects-Engineering-General?　Subjects-History-World-Transportation-Aviation?　Subjects-Nonfiction-Transportation-Aviation-History?　Subjects-Professional&Technical-Engineering-General The Age of the Automobile Reed Dump?　George Bishop?　 ReedDump?　GeorgeBishop?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Story of the Car Hamlyn?　David Hodges?　David Burgess- Wise?　 Hamlyn?　DavidHodges?　DavidBurgess-Wise?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Age of Cars Hamlyn?　Michael L Twite?　 Hamlyn?　MichaelLTwite?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Bicycle, The Hamlyn?　R John Way?　 Hamlyn?　RJohnWay?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Antique Clocks and Clock Collecting Hamlyn?　Eric Bruton?　 Hamlyn?　EricBruton?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Car Service Data Hamlyn?　J N Seale?　 Hamlyn?　JNSeale?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Repair?　Subjects-Professional&Technical-Engineering-General Classic Motorcycles Reed Dump?　Vic Willoughby?　 ReedDump?　VicWilloughby?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-ClassicCars?　Subjects-Nonfiction-Automotive-Motorcycles-General?　Subjects-Professional&Technical-Engineering-General Classic Racing Cars Hamlyn?　Cyril Posthumus?　 Hamlyn?　CyrilPosthumus?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-ClassicCars?　Subjects-Nonfiction-Automotive-Racing?　Subjects-Professional&Technical-Engineering-General　Subjects-Sports-Miscellaneous-MotorSports? Classic Sports Cars Hamlyn?　Cyril Posthumus?　 Hamlyn?　CyrilPosthumus?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-ClassicCars?　Subjects-Professional&Technical-Engineering-General Cars of the Thirties and Forties Hamlyn?　Michael Hardwick?　 Hamlyn?　MichaelHardwick?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Concorde Story Ten Years in Services Twickenham Pr?　Christopher Orlebar?　 TwickenhamPr?　ChristopherOrlebar?　ジャンル別?　Substores-UnknownASINs-14?　Subjects-Engineering-Aerospace?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-Aerospace?　Subjects-Professional&Technical-Engineering-General A-Z OF CARS 1945-1970 Osprey?　MARK GILLIES?　 Osprey?　MARKGILLIES?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Professional&Technical-Engineering-General Ferrari, The Hamlyn?　Gianni Rogliatti?　 Hamlyn?　GianniRogliatti?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Foreign?　Subjects-Nonfiction-Automotive-Luxury?　Subjects-Professional&Technical-Engineering-General Great Planes Hamlyn?　James Gilbert?　 Hamlyn?　JamesGilbert?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General World's Great Clocks and Watches Hamlyn?　Cedric Jagger?　 Hamlyn?　CedricJagger?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General HISTY OF HELICOPTERS Osprey?　MICHAEL J TAYLOR?　 Osprey?　MICHAELJTAYLOR?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Commercial Aircraft of the World Hamlyn?　Christopher Chant?　 Hamlyn?　ChristopherChant?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General The Centenary Encyclopedia of Automobiles Philip s?　Graham MacBeth?　 Philip s?　GrahamMacBeth?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Education-Reference-Encyclopedias-History?　Subjects-Professional&Technical-Engineering-General　Subjects-Reference-Encyclopedias-History? Healey Newnes Bks.?　Peter Garnier?　 NewnesBks.?　PeterGarnier?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Supercar Philip s?　Jeremy Sinek?　 Philip s?　JeremySinek?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Pictorial History of Triumph Motor Cycles Newnes Bks.?　Ivor Davies?　 NewnesBks.?　IvorDavies?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Motorcycles-General?　Subjects-Professional&Technical-Engineering-General Illustrated Encyclopaedia of Motor Cycles Hamlyn?　Erwin Tragatsch?　 Hamlyn?　ErwinTragatsch?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Motorcycles-General?　Subjects-Professional&Technical-Engineering-General Superbikes Book Sales?　David Minton?　Frank Melling?　 BookSales?　DavidMinton?　FrankMelling?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Motorcycles-General?　Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Sports-IndividualSports-Cycling-General?　Subjects-Sports-General? 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Harley-Davidson Hamlyn?　Graham Scott?　 Hamlyn?　GrahamScott?　ジャンル別?　Subjects-Engineering-Automotive?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-Automotive?　Subjects-Professional&Technical-Engineering-General Dream Cars Hamlyn?　Peter Dron?　 Hamlyn?　PeterDron?　ジャンル別?　Subjects-Engineering-Automotive?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-Automotive?　Subjects-Professional&Technical-Engineering-General Flights of Fantasy Hamlyn?　Bill Gunston?　 Hamlyn?　BillGunston?　ジャンル別?　Subjects-Engineering-Aerospace?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-Aerospace?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-History&Philosophy-HistoryofTechnology? Mountain Bike Maintenance Hamlyn?　Paul Vincent?　 Hamlyn?　PaulVincent?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Repair?　Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-BikeRepair?　Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-General?　Subjects-Outdoors&Nature-OutdoorRecreation-Cycling-MountainBiking?　Subjects-Professional&Technical-Engineering-General　Subjects-Religion&Spirituality-NewAge-General?　Subjects-Sports-IndividualSports-Cycling-BikeRepair?　Subjects-Sports-IndividualSports-Cycling-General?　Subjects-Sports-IndividualSports-Cycling-MountainBiking?　Subjects-Sports-Miscellaneous-Reference?　Subjects-Sports-General? World's Greatest Air Mysteries Odhams?　Michael Hardwick?　 Odhams?　MichaelHardwick?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General Walt Disney Imagineering A Behind the Dreams Look at Making the Magic Real Bt Bound?　Michael D. 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  Real Analysis Measure Theory, Integration, And Hilbert Spaces (Princeton Lectures in Analysis) Princeton Univ Pr?　Elias M. Stein?　Rami Shakarchi?　 PrincetonUnivPr?　EliasM.Stein?　RamiShakarchi?　ユーズドブック(洋書)-Professional&Technical?　ユーズドブック(洋書)-Science?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis?　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus?　Subjects-Science-General　Subjects-Science-Mathematics-MathematicalAnalysis?　Subjects-Science-Mathematics-PureMathematics-Calculus? Introduction to Quantum Theory and Atomic Structure (Oxford Chemistry Primers, 37) Oxford Univ Pr (Sd)?　P. A. 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The Simple Science of Flight From Insects to Jumbo Jets Mit Pr?　Henk Tennekes?　 MitPr?　HenkTennekes?　ユーズドブック(洋書)-Engineering　ユーズドブック(洋書)-Professional&Technical?　ユーズドブック(洋書)-Science?　Subjects-Engineering-Aerospace-Aerodynamics?　Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics?　Subjects-Professional&Technical-ProfessionalScience-Physics-General?　Subjects-Science-General　Subjects-Science-Mathematics-General?　Subjects-Science-Physics-General?　Subjects-Science-Astronomy-Aeronautics&Astronautics? Gas Turbine Performance Blackwell Science Inc?　Philip P. 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• WikiBibliography of English Language Studies - roh

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  ROH... Rohdenburg, Günter. 1995. "Betrachtungen zum Auf- und Abstieg einiger pra¨positionaler Konstruktionen im Englischen". North-Western European Language Evolution 26 67-124. Rohdenburg, Gunter.1995."On the Replacement of Finite Complement Clauses by Infinitives in English". English Studies 76(4) 367-88. Rohdenburg, Guenter.1996."Cognitive Complexity and Increased Grammatical Explicitness in English". Cognitive Linguistics 7 149-82. Rohdenburg, Guenter.1998."Syntactic Complexity and the Variable Use of to be in 16th to 18th Century English". Arbeiten aus Anglistik und Amerikanistik 23 199-228. Rohdenburg, Guenter.2000"The Complexity Principle as a Factor Determining Grammatical Variation and Change in English", in Language Use, Language Acquisition and Language History, ed. Ingo Plag Klaus Peter Schneider. Trier Wissenschaftlicher Verlag. Rohdenburg, Guenter.2001"Mechanisms of Syntactic Change The Rise and Fall of Prepositional Constructions in Late Modern English". Handout (Edinburgh). Rohdenburg, Guenter.2002."Processing Complexity and the Variable Use of Prepositions in English", in Perspectives on Prepositions, ed. Hubert Cuyckens Guenter Radden. Tuebingen Niemeyer. Rohdenburg, Gunter.2003."Cognitive complexity and horror aequi as factors determining the use of interrogative clause linkers in English", in Determinants of Grammatical Variation in English, ed. G. Rohdenburg B. Mondorf, pp. 205-49. Mouton de Gruyter. Rohdenburg, G. 2006. "The Role of Functional Constraints in the Evolution of the English Complementation System". in Syntax, Style and Grammatical Norms English from 1500–2000, ed. C. Dalton-Puffer, D. Kastovsky, N. Ritt H. Schendl, pp. 143-166. Bern Peter Lang. Rohdenburg, Günter. 2008. "Functional constraints in syntactic change The rise and fall of prepositional constructions in early and Late Modern English". English Studies 88(2) 217-233. Rohdenburg, Guenter. 2009. "Grammatical Divergence between British and American English in the Nineteenth and Early Twentieth Centuries", in Current Issues in Late Modern English, ed. I. Tieken-Boon van Ostade W. van der Wurff, pp. 301-29. Peter Lang. Rohdenburg, Günter. 2010. One Language, Two Grammars? Differences between British and American English. Cambridge Cambridge University Press. Rohdenbug, Guenter Britta Mondorf (eds.)2002.Determinants of Grammatical Variation. Mouton de Gruyter. Rohdenburg, Gunter Britta Mondorf (eds.)2003.Determinants of Grammatical Variation in English. Mouton de Gruyter. Rohdenburg, Günter Julia Schlüter. 2000. "Determinanten grammatischer Variation im Früh- und Spätneuenglischen". Sprachwissenschaft 25 443-96. Rohdenburg, Guenter J. Schlueter (eds.) 2009.One Language, Two Grammars? Differences between British and American English. CUP. Rohlfing, Helmut.1984.Die Werke James Elphinstons (1721-1809) als Quellen der englischen Lautgeschichte. Heidelberg Carl Winter. Rohr, Anny. 1929. Die Steigerung des neuenglischen Eigenschaftswortes im 17. und 18. Jahrhundert mit Ausblicken auf den Sprachgebrauch der Gegenwart. Giessen. Rohrer, Christian, et al. (ed.)2001.Linguistic Form and Its Computation. (Studies in Computational Linguistics.) CSLI Pub.

• Neues Schicksal - 攻城戦/攻城戦結果/砦別取得ギルド/Britoniah Guild

  https://w.atwiki.jp/neuschicksal/pages/52.html

  Britoniah Guild（ゲフェン） 回 年月日 B1 B2 B3 B4 B5 235 08/02/10 Murderer s Astrum Orbis Neu Kraft selenite カリスマぱしり 234 08/02/03 Murderer s Shakespeare. Sinfonia selenite Checkmate 233 08/01/27 Children Eat Nightmare 　 　 Neu Kraft selenite Dream★Paradise 232 08/01/20 　 　 Albanova So Far Away selenite Phantom 231 08/01/13 So Far Away S.P.K. Hound　Dog selenite Phantom 230 08/01/06 Albanova 星降る夜のレストラン Almighty selenite Phantom 229 07/12/30 SalvationArmy cognoscenti Neu Kraft selenite So Far Away 228 07/12/23 ぴっぴ連合 Hound　Dog Silver Wing selenite Millennium 227 07/12/16 Almighty Holy Wing Sinfonia selenite Neu Kraft 226 07/12/09 Albanova Order of Grace Sinfonia Kaleidoscope Blue Aria Symphony 225 07/12/02 [　 　]※空白 ぴっぴ連合 So Far Away selenite Kaｌeidoscope 224 07/11/25 Silver_Night_Angel Phantom So Far Away S.P.K. Kaｌeidoscope 223 07/11/18 Albanova Holy Wing Kaｌeidoscope S.P.K. 星々のまほら 222 07/11/11 Sinfonia Shakespeare. Ewiger Flugel S.P.K. Neu Kraft 221 07/11/04 Neu Kraft Shakespeare. Murderer s S.P.K. Fairy Night 220 07/10/28 　ω [　 　]※空白 Albanova S.P.K. Order of Grace 219 07/10/21 So Far Away ヘイムダル暫定共同組合 Cadenza 食い逃げ上等 Sneak Attack 218 07/10/14 Lodestar ヘイムダル暫定共同組合 Kaleidoscope Altemis 世界に1/10000のネギ 217 07/10/07 Albanova [　 　]※空白G REBELLION 食い逃げ上等 [　 　]※空白G 216 07/09/30 Albanova Temple Knight Almigthy Yggdrasil ぴっぴ連合 215 07/09/23 [　 　]※空白G Road of Moon ヘイムダル暫定協同組合 Neu Kraft ぴっぴ連合 214 07/09/16 Woolly Flock Order of Grace 猫の小屋 Neu Kraft ぴっぴ連合 213 07/09/09 Woolly Flock S.P.K. Sinfonia Neu Kraft ぴっぴ連合 212 07/09/02 食い逃げ上等 Woolly Flock 聖龍騎士団CanonVoice Almighty ぴっぴ連合 211 07/08/26 食い逃げ上等 Sinfonia Almighty Sunset Missing-Link 210 07/08/19 Ewiger Flugel Temple Knights 　ω Almighty 黄昏の緋翼 209 07/08/12 Ewiger Flugel Temple Knights 　ω Hound　Dog So Far Away 208 07/08/05 Hound　Dog ダｰクホｰス Private Anthem - Desert Eagｌe - Dream★Paradise 207 07/07/29 Hound　Dog Fairy tale ウェルウィッチア Lord Of The Mooｎ selenite 206 07/07/22 Hound　Dog Fairy tale Cadenza 天上の恋人 selenite 205 07/07/15 Hound　Dog Fairy tale Sneak Attack モンハウ特攻隊 Last Zenith 204 07/07/08 Hound　Dog Fairy tale Sinfonia Neu Kraft Heaven s_Gate 203 07/07/01 Hound　Dog Fairy tale Kaleidoscope Almighty Neu Kraft 202 07/06/24 Hound　Dog -転職マガジン編集部- Neu Kraft Almighty So Far Away 201 07/06/17 Hound　Dog 幻影†旅団 Cadenza Sunset Neu Kraft 200 07/06/10 Cadenza 幻影†旅団 FlowerGarden Temple Knights So Far Away 199 07/06/03 S.P.K. Almighty selenite Cadenza のらりくらりと旅～♪ 198 07/05/27 Heaven s_Gate S.P.K. FlowerGarden Amaranth Sneak Attack 197 07/05/20 Heaven s_Gate S.P.K. FlowerGarden Almighty アルマ亭【新館】 196 07/05/13 聖龍騎士団CanonVoice S.P.K. Temple Knights Cadenza アルマ亭【新館】 195 07/05/06 聖龍騎士団CanonVoice S.P.K. FlowerGarden Sinfonia Almighty 194 07/04/29 聖龍騎士団CanonVoice S.P.K. Missing-Link selentie Almighty 193 07/04/22 Albanova S.P.K. selenite New Found Glory Almighty 192 07/04/15 Albanova S.P.K. Temple Knights Cadenza Almighty 191 07/04/08 Albanova Cadenza selenite selenite Almighty 190 07/04/01 Albanova Cadenza Ewiger Flugel FlowerGarden Almighty 189 07/03/25 Albanova Animale Giardino Neu Kraft Phantom Almighty 188 07/03/18 Albanova Murderer s Hrodvitnir -転職マガジン編集部- Almighty 187 07/03/11 Albanova Yggdrasil 食い逃げ上等 陽だまりの場所 Almighty 186 07/03/04 Albanova Yggdrasil Cadenza Silver Wing Almighty 185 07/02/25 Albanova Yggdrasil Hound　Dog 猫と月夜のRevolt Almighty 184 07/02/18 Albanova Yggdrasil Missing-Link Zenith Almighty 183 07/02/11 Albanova Yggdrasil Nightpia Missing-Link Almighty 182 07/02/04 Albanova Jupiter Nightpia Hound　Dog Almighty 181 07/01/28 ラーメン食い隊. Jupiter Sinfonia Ragnarok Force Almighty 180 07/01/21 ラーメン食い隊. Jupiter 白鳳 -Falcon of glory- Ragnarok Force Almighty 179 07/01/14 ラーメン食い隊. Jupiter Ambitious Ragnarok Force Almighty 178 07/01/07 ラーメン食い隊. Jupiter [　 　]※空白G †_幻影騎士団_† Almighty 177 06/12/31 ラーメン食い隊. Jupiter †_幻影騎士団_† Missing-Link Almighty 176 06/12/24 ラーメン食い隊. The-Invisible-Fortress [　 　]※空白G Astrum Orbis Almighty 175 06/12/17 ラーメン食い隊. The-Invisible-Fortress Murderer s Road of Moon Almighty 174 06/12/10 ラーメン食い隊. The-Invisible-Fortress Ж黒い牙Ж Almighty Road of Moon 173 06/12/03 ラーメン食い隊. The-Invisible-Fortress Shakespeare Almighty Road of Moon 172 06/11/26 ラーメン食い隊. The-Invisible-Fortress Sneak Attack Almighty Road of Moon 171 06/11/19 ラーメン食い隊. The-Invisible-Fortress Zenｉth Almighty Road of Moon 170 06/11/12 So Far Away Carillon. 〒 ぱ る る 〒 Almighty Pervert Requiem 169 06/11/05 巻　　　き　　　戻　　　し　　　前　　　提　　　攻　　　城　　　戦 168 06/10/29 †_幻影騎士団_† Sneak Attack ラーメン食い隊. Hound　Dog Pervert Requiem 167 06/10/22 天上の恋人 †SalvationArmy† So Far Away Almighty Pervert Requiem 166 06/10/15 天上の恋人 †SalvationArmy† ロキの晩餐会 selenite Pervert Requiem 165 06/10/08 「　 　」※無名G †SalvationArmy† S.P.K selenite Pervert Requiem 164 06/10/01 Road of Moon †SalvationArmy† ラーメン食い隊. selenite Pervert Requiem 163 06/09/24 Ambitious †SalvationArmy† Hound Dog selenite Pervert Requiem 162 06/09/17 Ambitious †SalvationArmy† 星降る夜のれすとらん selenite Pervert Requiem 161 06/09/10 Blue Cross Animale Giardino 「　 　」※無名G NekoKraft Pervert Requiem 160 06/09/03 Blue Cross Animale Giardino Ambitious NekoKraft Pervert Requiem 159 06/08/27 Blue Cross Animale Giardino Ambitious NekoKraft Pervert Requiem 158 06/08/20 Blue Cross Animale Giardino Ambitious Road of Moon Pervert Requiem 157 06/08/13 EwigesLied Carillon. Sinfonia Road of Moon selenite 156 06/08/06 EwigesLied Carillon. Hresvelgr Road of Moon selenite 155 06/07/30 聖竜騎士団CanonVoice Carillon. Diamond Dust Road of Moon NekoKraft 154 06/07/23 ラーメン食い隊. Carillon. Pervert Requiem Road of Moon NekoKraft 153 06/07/16 ラーメン食い隊. Carillon. 星降る夜のれすとらん Road of Moon NekoKraft 152 06/07/09 Pervert Requiem Carillon. EwigesLied Road of Moon NekoKraft 151 06/07/02 ラーメン食い隊. Road of Moon Nightpia Carillon. NekoKraft 150 06/06/25 SunShine Diamond Dust [selenite] Carillon. NekoKraft 149 06/06/18 Abismo Diamond Dust 色即是空 Carillon. Overdrive 148 06/06/11 Abismo Ragnarok Force Sinfonia Carillon. Overdrive 147 06/06/04 Abismo Ragnarok Force Murderer s Carillon. Overdrive 146 06/05/28 Hound Dog Gesellschaft Murderer s Carillon. Overdrive 145 06/05/21 Hound Dog Gesellschaft Road of Moon アルカナ Overdrive 144 06/05/14 Hound Dog Gesellschaft Road of Moon アルカナ Overdrive 143 06/05/07 Hound Dog Gesellschaft Road of Moon アルカナ Overdrive 142 06/04/30 Hound Dog Gesellschaft Road of Moon アルカナ Overdrive 141 06/04/23 Hound Dog Gesellschaft Kaleidoscope アルカナ Overdrive 140 06/04/16 Pervert Requiem Gesellschaft Laurel Wreath アルカナ Overdrive 139 06/04/09 Pervert Requiem Gesellschaft 聖竜騎士団CanonVoice アルカナ Overdrive 138 06/04/02 Pervert Requiem Gesellschaft 聖竜騎士団CanonVoice アルカナ Overdrive 137 06/03/26 Pervert Requiem Gesellschaft 聖竜騎士団CanonVoice アルカナ Overdrive 136 06/03/19 Pervert Requiem Gesellschaft 聖竜騎士団CanonVoice アルカナ Overdrive 135 06/03/12 Pervert Requiem Gesellschaft 聖竜騎士団CanonVoice NekoKraft Overdrive 134 06/03/05 Pervert Requiem Gesellschaft 聖竜騎士団CanonVoice Hound Dog † SalvationArmy † 133 06/02/26 Pervert Requiem Gesellschaft 聖竜騎士団CanonVoice Hound Dog † SalvationArmy † 132 06/02/19 Pervert Requiem Lord Of The Moon 聖竜騎士団CanonVoice Hound Dog † SalvationArmy † 131 06/02/12 Gesellschaft Ruin-Explorer Le soleil Hound Dog † SalvationArmy † 130 06/02/05 Gesellschaft Ruin-Explorer †ウェルウィッチア† アルカナ - Fortissimo - 06/01/29 攻　　　　　　城　　　　　　戦　　　　　　中　　　　　　止 129 06/01/22 Gesellschaft Ruin-Explorer †ウェルウィッチア† アルカナ Speculation 128 06/01/15 Gesellschaft †_幻影騎士団_† Symphony アルカナ Speculation 127 06/01/08 Gesellschaft †_幻影騎士団_† Symphony アルカナ Speculation 126 06/01/01 Gesellschaft †_幻影騎士団_† Symphony アルカナ NeuKraft 125 05/12/25 Gesellschaft †_幻影騎士団_† Symphony アルカナ [selenite] 124 05/12/18 Gesellschaft Overdrive Symphony シュバルツ リッター 〒 ぱ る る 〒 123 05/12/11 Gesellschaft Ruin-Explorer Symphony シュバルツ リッター Overdrive 122 05/12/04 Gesellschaft Ruin-Explorer Symphony † SalvationArmy † Overdrive 121 05/11/27 Gesellschaft Ruin-Explorer Pervert Requiem † SalvationArmy † Speculation 120 05/11/20 Gesellschaft Ruin-Explorer Pervert Requiem † SalvationArmy † NeuKraft 119 05/11/13 Gesellschaft †_幻影騎士団_† Pervert Requiem Carillon アルカナ 118 05/11/06 Gesellschaft †_幻影騎士団_† Pervert Anthem †ウェルウィッチア† Speculation 117 05/10/30 Gesellschaft †_幻影騎士団_† † SalvationArmy † Progress+ NeuKraft 116 05/10/23 Gesellschaft 〒 ぱ る る 〒 † SalvationArmy † Laurel Wreath Jupiter 115 05/10/16 Gesellschaft Ancient Grave † SalvationArmy † Laurel Wreath [selenite] 114 05/10/09 Gesellschaft NeuKraft Begierde. Laurel Wreath Ruin-Explorer 113 05/10/02 Gesellschaft The_Invincible_Fortress Begierde. Laurel Wreath Ruin-Explorer 112 05/09/25 Gesellschaft 蒼き流星たち Begierde. Laurel Wreath Ruin-Explorer 111 05/09/18 Gesellschaft 蒼き流星たち Begierde. Laurel Wreath Carillon 110 05/09/11 Gesellschaft 蒼き流星たち Begierde. Laurel Wreath ラーメン食い隊. 109 05/09/04 Gesellschaft 蒼き流星たち Begierde. Laurel Wreath Diamond Dust 108 05/08/28 Gesellschaft 蒼き流星たち Far_East_of_EDEN Laurel Wreath LOND=BELL 107 05/08/21 Gesellschaft 蒼き流星たち Last resort Laurel Wreath THE クレイス 106 05/08/14 Gesellschaft アルカナ Last resort Ruin-Explorer Heaven s‐Gate 105 05/08/07 Diamond Dust アルカナ Carillon Laurel Wreath ラーメン食い隊. 104 05/07/31 Diamond Dust アルカナ Carillon Laurel Wreath NeuKraft 103 05/07/24 Diamond Dust アルカナ Carillon Laurel Wreath Glockenspiel 102 05/07/17 Diamond Dust アルカナ Carillon Laurel Wreath Almighty 101 05/07/10 Diamond Dust ラーメン食い隊. Gesellschaft Laurel Wreath NeuKraft 100 05/07/03 Diamond Dust ラーメン食い隊. NeuKraft Laurel Wreath [selenite] 99 05/06/26 Diamond Dust ラーメン食い隊. 聖竜騎士団CanonVoice Laurel Wreath ClaimhSolais 98 05/06/19 Diamond Dust Liberty Bell Almighty Schwarzwald [Soloist] 97 05/06/12 Gesellschaft Liberty Bell Schwarzwald アルカナ Λｕｃｉｆｅｒ 96 05/06/05 Gesellschaft Liberty Bell Schwarzwald アルカナ Diamond Dust 95 05/05/29 Gesellschaft Liberty Bell Schwarzwald アルカナ Black_Lotus 94 05/05/22 Gesellschaft Liberty Bell Seraphic Symphony アルカナ NeuKraft 93 05/05/15 Gesellschaft Liberty Bell Laurel Wreath アルカナ Almighty 92 05/05/08 Gesellschaft Liberty Bell Laurel Wreath アルカナ Λｕｃｉｆｅｒ 91 05/05/01 Gesellschaft Liberty Bell Laurel Wreath ラーメン食い隊. NeuKraft 90 05/04/24 Gesellschaft Liberty Bell Laurel Wreath ラーメン食い隊. ともだち 05/04/21 第　　　　　　三　　　　　　回　　　　　　マ　　　　　　イ　　　　　　グ　　　　　　レ 89 05/04/17 Gesellschaft Liberty Bell Laurel Wreath ラーメン食い隊. Gemeinschaft 88 05/04/10 Gesellschaft Liberty Bell Laurel Wreath ラーメン食い隊. †Drag-on† 87 05/04/03 Gesellschaft Liberty Bell Chaos of Zero ラーメン食い隊. Shakespeare 86 05/03/27 Gesellschaft Liberty Bell Chaos of Zero ラーメン食い隊. Heaven s‐Gate 85 05/03/20 Gesellschaft Liberty Bell Chaos of Zero ラーメン食い隊. Heaven s‐Gate 84 05/03/13 Gesellschaft Liberty Bell Chaos of Zero ラーメン食い隊. Heaven s‐Gate 83 05/03/06 Gesellschaft Liberty Bell Chaos of Zero ラーメン食い隊. Player Killer 82 05/02/27 Gesellschaft Liberty Bell Chaos of Zero ラーメン食い隊. EXPLODE 81 05/02/20 Gesellschaft Liberty Bell Chaos of Zero ラーメン食い隊. Gesellschaft 05/02/15 転　　　　　　生　　　　　　パ　　　　　　ッ　　　　　　チ　　　　　　到　　　　　　来 80 05/02/13 Gesellschaft Liberty Bell Over Drive ラーメン食い隊. Burning-Blood 79 05/02/06 Gesellschaft Liberty Bell ラーメン食い隊. Over Drive アルマ亭【本館】 78 05/01/30 Gesellschaft ラーメン食い隊. Liberty Bell Over Drive LegendsMaker 77 05/01/23 Liberty Bell ラーメン食い隊. ぱんぴ～ Gesellschaft Eternal=Pact 76 05/01/16 Liberty Bell Gesellschaft ヘイムダル第一協同組合 神　風 墨谷二中 75 05/01/09 Liberty Bell Gesellschaft Seraphic Symphony Pervert Anthem Believe～以心伝心～ 74 05/01/02 Carillon Gesellschaft ラーメン食い隊. Liberty Bell 死神さんが愉快な仲間達 73 04/12/26 stingray Gesellschaft Liberty Bell Free Style STRAWBERRY LION 72 04/12/19 The-Invincible-Fortress Gesellschaft Liberty Bell Free Style 蒼刻のノクターン 71 04/12/12 [selenite] Gesellschaft Liberty Bell Ambitious STRAWBERRY LION 70 04/12/05 [selenite] Gesellschaft Liberty Bell Loki s cradle STRAWBERRY LION 69 04/11/28 ラーメン食い隊. [selenite] Liberty Bell Road Of Moon Divine Snow 68 04/11/21 ラーメン食い隊. Gesellschaft Liberty Bell Begierde 流々～Ruru～ 67 04/11/14 Begierde Gesellschaft Liberty Bell The-Invincible-Fortress Black_Lotus 66 04/11/07 Begierde Gesellschaft Liberty Bell STRAWBERRY LION Heaven s Gate 65 04/10/31 Begierde Gesellschaft Liberty Bell 医療法人関西黒龍会 Flower Garden 64 04/10/24 Carillon Gesellschaft Liberty Bell Pervert Anthem D U N E 63 04/10/17 Carillon Chaos of Zero Liberty Bell [selenite] Pervert Anthem 62 04/10/10 Hexagram Chaos of Zero Liberty Bell Gesellschaft ψDELTA FORCEψ 61 04/10/03 Begierde Pervert Anthem Liberty Bell Gesellschaft 流々～Ruru～ 60 04/09/26 Begierde STRAWBERRY LION Liberty Bell Ambitious Ancient Glory 59 04/09/19 Begierde STRAWBERRY LION Liberty Bell ラーメン食い隊. 医療法人関西黒龍会 58 04/09/12 Begierde STRAWBERRY LION Liberty Bell IZU-Union(Rainbow) 死神さんが愉快な仲間達 57 04/09/05 Delphinus STRAWBERRY LION Liberty Bell Over Drive 蒼き流星たち 04/08/29 攻　　　　　　城　　　　　　戦　　　　　　中　　　　　　止 56 04/08/22 Delphinus Absolute Liberty Bell Ambitious 蒼き流星たち 55 04/08/15 Delphinus Absolute Liberty Bell Ambitious MBreaker 54 04/08/08 Delphinus Absolute Liberty Bell ぱんぴ～ Schwarzwald 53 04/08/01 Delphinus Absolute Liberty Bell ぱんぴ～ 死神さんが愉快な仲間達 52 04/07/25 Tout Commence [selenite] Liberty Bell Black Lotus ψDELTA FORCEψ 51 04/07/18 Believe～以心伝心～ [selenite] Tout Commence Black Lotus Ruin-Explorer 50 04/07/11 STRAWBERRY LION Liberty Bell Tout Commence Black Lotus Truth Falashood 49 04/07/04 Pervert Anthem Liberty Bell Tout Commence Hell Babies Rising Sun 48 04/06/27 Pervert Anthem Liberty Bell The-Invincible-Fortress Absolute Παλπθντε 47 04/06/20 Flower Garden Liberty Bell The-Invincible-Fortress Schwarzwald 死神さんが愉快な仲間達 46 04/06/13 Flower Garden Liberty Bell The-Invincible-Fortress Schwarzwald Flos Solis 45 04/06/06 Ambitious Liberty Bell The-Invincible-Fortress アステア第3師団 神　風 44 04/05/30 Ambitious Liberty Bell 幻影†旅団 Absolute Trifolium repens 43 04/05/23 Carillon Liberty Bell アルカナ Absolute †_幻影騎士団_† 42 04/05/16 ラーメン食い隊. Schwarzwald HEARTFULL KISS Absolute 流命時 41 04/05/09 Blue Note Liberty Bell Jupiter Absolute STRAWBERRY LION 40 04/05/02 Blue Note Liberty Bell Jupiter Black Lotus みすとれす 39 04/04/25 Blue Note Liberty Bell 喫茶ありえる四号店 Black Lotus 神　風 38 04/04/18 Absolute Liberty Bell ゼウス Black Lotus 熱帯とにぃ村 37 04/04/11 Schwarzwald Liberty Bell IZU-Union(Rainbow) Tout Commence Fantasia 36 04/04/04 Schwarzwald Liberty Bell IZU-Union(Rainbow) Absolute Black Lotus 35 04/03/28 Schwarzwald STRAWBERRY LION Absolute 鬼哭 Ruin-Explorer 34 04/03/21 Schwarzwald ラーメン食い隊. Ambitious 鬼哭 Crack unit 33 04/03/14 Schwarzwald ラーメン食い隊. Ambitious 鬼哭 †_幻影騎士団_† 32 04/03/07 Schwarzwald ラーメン食い隊. Ambitious Free Style 鬼哭 31 04/02/29 Schwarzwald Liberty Bell The-Invincible-Fortress Free Style うにぽーしょんⅡ 30 04/02/22 Schwarzwald ぺんご弓兵隊 The-Invincible-Fortress Free Style Vantage 29 04/02/15 [selenite] ぺんご弓兵隊 The-Invincible-Fortress Free Style Vantage 28 04/02/08 Schwarzwald ぺんご弓兵隊 Zodiac Free Style New Found Glory 27 04/02/01 Schwarzwald [selenite] Zodiac Free Style ラーメン食い隊. 26 04/01/25 鈍色の砂時計 Free Style Zodiac 蒼き流星たち ラーメン食い隊. 25 04/01/18 Believe～以心伝心～ Free Style Zodiac Ψ†BRAVE HEARTS†Ψ ぺんご弓兵隊 24 04/01/11 -Light Speed Orbiter- Seeker,of,Precious Ambitious Ψ†BRAVE HEARTS†Ψ ぺんご弓兵隊 23 04/01/04 -Light Speed Orbiter- Neo-Universe Ambitious Ψ†BRAVE HEARTS†Ψ 上下ミラクル荘 22 03/12/28 Lose Dogs 色即是空 Ambitious ψ†BRAVE HEARTS†ψ Ruin-Exploration 21 03/12/21 ∫Palpunte∫ ぺんご弓兵隊 Black　Lotus ψ†BRAVE HEARTS†ψ トレント★樹海団 20 03/12/14 ∫Palpunte∫ ぺんご弓兵隊 Black　Lotus Alternative Active-Hearts 19 03/12/07 Zodiac ぺんご弓兵隊 Black　Lotus こしょん Seraphisches Heiligtum 18 03/11/30 Zodiac ぺんご弓兵隊 Ruin-Explorer こしょん Seraphisches Heiligtum 17 03/11/23 Zodiac 夜光蝶 Ruin-Explorer Black　Lotus 月に導かれし者達 16 03/11/16 Zodiac ぺんご弓兵隊 Tranquil 蒼き流星たち †_幻影騎士団_† 15 03/11/09 Zodiac ぺんご弓兵隊 Tranquil 蒼き流星たち BAD-ALLIANCE 14 03/11/02 Zodiac ∞ Tranquil 蒼き流星たち 【Palpunte】 13 03/10/26 Zodiac Palladium Tranquil 蒼き流星たち Ruin-Explorer 03/10/19 攻　　　　　城　　　　　戦　　　　　中　　　　　止 12 03/10/12 Zodiac Palladium Tranquil 蒼き流星たち Ruin-Explorer 11 03/10/05 Zodiac Palladium Tranquil Neo-Universe Ruin-Explorer 10 03/09/28 Zodiac Palladium Tranquil Neo-Universe Ruin-Explorer 9 03/09/21 Zodiac Palladium CrescentMoon Neo-Universe Ruin-Explorer 8 03/09/14 Zodiac Palladium Tranquil Neo-Universe Holy Bell 7 03/09/07 Zodiac Palladium Tranquil Neo-Universe Holy Bell 6 03/08/31 Zodiac Palladium Tranquil Neo-Universe RO力学 5 03/08/24 -Light Speed Orbiter- Palladium Tranquil Neo-Universe PERFECT BLACK 4 03/08/17 -Light Speed Orbiter- To_Be_Continued Tranquil Neo-Universe 夜光蝶 3 03/08/10 -Light Speed Orbiter- To_Be_Continued Tranquil Neo-Universe 終末の冒険者達 2 03/08/03 -Light Speed Orbiter- energy pulser Tranquil Neo-Universe Holy Bell 1 03/07/30 -Light Speed Orbiter- Fantasia Tranquil Luna-Universe Schwarzwald

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Pripps?　Andrew Morland?　 VoyageurPr?　RobertN.Pripps?　AndrewMorland?　ジャンル別?　Subjects-Engineering-Automotive?　Subjects-Engineering-General?　Subjects-Entertainment-PopCulture-Americana?　Subjects-Home&Garden-Antiques&Collectibles-Americana?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-ClassicCars?　Subjects-Professional&Technical-Engineering-Automotive?　Subjects-Professional&Technical-Engineering-General Harley-Davidson Collectibles Town Square Books?　Nick Cedar?　Michael Dregni?　 TownSquareBooks?　NickCedar?　MichaelDregni?　ジャンル別?　Subjects-Engineering-General?　Subjects-Entertainment-PopCulture-Americana?　Subjects-Home&Garden-Antiques&Collectibles-Americana?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-Motorcycles-General?　Subjects-Nonfiction-Automotive-Motorcycles-History?　Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance?　Subjects-Professional&Technical-Engineering-General Toy Farm Tractors (Town Square Book) Voyageur Pr?　Claire D. Scheibe?　Bill Vossler?　Andy Kraushaar?　 VoyageurPr?　ClaireD.Scheibe?　BillVossler?　AndyKraushaar?　ジャンル別?　Subjects-Engineering-SpecialTopics-AgriculturalEngineering?　Subjects-Engineering-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Entertainment-PopCulture-Americana?　Subjects-Home&Garden-Antiques&Collectibles-Americana?　Subjects-Home&Garden-Antiques&Collectibles-Transportation?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Home&Garden-Antiques&Collectibles-Toys?　Subjects-Home&Garden-Crafts&Hobbies?　Subjects-Nonfiction-Transportation-General?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　 Subjects-Professional&Technical-Engineering-SpecialTopics-AgriculturalEngineering?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-History&Philosophy-HistoryofTechnology? 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Brock?　Robert N. Pripps?　Andrew Morland?　 VoyageurPr?　HaroldL.Brock?　RobertN.Pripps?　AndrewMorland?　ジャンル別?　Subjects-Engineering-Automotive?　Subjects-Engineering-General?　Subjects-Entertainment-PopCulture-Americana?　Subjects-Home&Garden-Antiques&Collectibles-Americana?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-ClassicCars?　Subjects-Professional&Technical-Engineering-Automotive?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-History&Philosophy-HistoryofTechnology? Vintage International Harvester Tractors The Ultimate Tribute to International Harvester, Farmall, and McCormick-Deering Tractors (Town Square Books) Voyageur Pr?　Ralph W. 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Scheibe?　Bill Vossler?　Andy Kraushaar?　 VoyageurPr?　ClaireD.Scheibe?　BillVossler?　AndyKraushaar?　ジャンル別?　Subjects-Engineering-General?　Subjects-Entertainment-PopCulture-Americana?　Subjects-Home&Garden-Antiques&Collectibles-Americana?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Home&Garden-Crafts&Hobbies-Models?　Subjects-Nonfiction-Transportation-General?　Subjects-Professional&Technical-Engineering-General How to Restore Classic John Deere Tractors The Ultimate Do-It-Yourself Guide to Rebuilding and Restoring Deere Two-Cylinder Tractors Voyageur Pr?　Tharran E. Gaines?　 VoyageurPr?　TharranE.Gaines?　ジャンル別?　Subjects-Engineering-General?　Subjects-Home&Garden-Antiques&Collectibles-Care&Restoration?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-Repair?　Subjects-Professional&Technical-Engineering-General Classic Deere Tractors An Album of Favorite Big Green Farm Tractors, 1914-1970 (Farming Legends) Voyageur Pr?　Cletus Hohman?　 VoyageurPr?　CletusHohman?　ジャンル別?　Subjects-Engineering-SpecialTopics-AgriculturalEngineering?　Subjects-Engineering-General?　Subjects-Home&Garden-Antiques&Collectibles-Transportation?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-ClassicCars?　 Subjects-Professional&Technical-Engineering-SpecialTopics-AgriculturalEngineering?　Subjects-Professional&Technical-Engineering-General This Old Corvette The Ultimate Tribute to America's Sports Car (Town Square Book) Voyageur Pr?　Michael Dregni?　Peter Egan?　 VoyageurPr?　MichaelDregni?　PeterEgan?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-History?　Subjects-Nonfiction-Automotive-ClassicCars?　Subjects-Professional&Technical-Engineering-General Early Scientific Instruments Abbeville P, US?　Nigel Hawkes?　 AbbevilleP,US?　NigelHawkes?　ジャンル別?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General American Toy Cars and Trucks 1894-1942 Abbeville Promotional?　Lillian Gottschalk?　Bill Holland?　 AbbevillePromotional?　LillianGottschalk?　BillHolland?　ジャンル別?　Subjects-Engineering-General?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Home&Garden-Crafts&Hobbies-Models?　Subjects-Nonfiction-Automotive-ClassicCars?　Subjects-Professional&Technical-Engineering-General　Substores-Today sDealsinBooks-Home&Garden-Antiques? Power Behind the Wheel Creativity and the Evolution of the Automobile Artabras?　Walter J. Boyne?　 Artabras?　WalterJ.Boyne?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-General?　Subjects-Nonfiction-Automotive-Foreign?　Subjects-Nonfiction-Automotive-General?　Subjects-Nonfiction-Automotive-History?　Subjects-Professional&Technical-Engineering-General The Leading Edge (Modern Arts Movements) Artabras?　Walter J. Boyne?　 Artabras?　WalterJ.Boyne?　ジャンル別?　Subjects-Engineering-General?　Subjects-Nonfiction-Transportation-Aviation-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-History&Philosophy-HistoryofTechnology?　Subjects-Science-Astronomy-Aeronautics&Astronautics? 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Robots on Your Doorstep Robotics P, US?　Nels Winkless?　Iben Browning?　 RoboticsP,US?　NelsWinkless?　IbenBrowning?　ジャンル別?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-General Artificial Intelligence Applications in Engineering Seai Technical Pubns?　Richard Kendall Miller?　Terri C. 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